Netflix’s Blue Miracle is about how a grizzled old fisherman teams up with a bunch of orphans to compete in what’s called the Super Bowl of fishing.
Romantic comedies are a guilty pleasure for many of us. They’re pleasurable because they involve fanciful, bizarre and downright unbelievable stories about two unlikely characters finding love.
Our team tackles Cruella and then expands the discussion to Disney villains in general, truly exploring the good, the bad and the ugly.
We talk with the up-and-coming actress about Ireland, working with a living legend and her own history with Plugged In.
Look at the year’s cinematic box office figures, you see plenty of evidence of the return-to-normal, the abnormal and, perhaps, a new normal on the horizon.
There’s a disproportionate number of movie weeds popping up on the streaming services this spring, but there are a few fun possibilities, too.
A Week Away is the kind of movie we often say we want Hollywood to make.
When people learn what I do, they think it must be great watching movies for a living. But the perk isn’t seeing movies. It’s being able to talk about them.
Last night, from the opening monologue to the closing credits, the Oscars felt … different.
This reminds me that even in a place we might characterize as “godless,” God has passionate followers who are willing to stand for the truth.
Good media discernment is about guarding our eyes and hearts before we watch or listen. And it’s also about grappling with the entertainment we do see or hear. That’s why the Plugged In Blog is devoted to guarding, discussing and grappling. About Plugged In >>
