Contributor: Paul Asay

For all its epic pretensions, ‘Is God Is’ feels hollow and half-made; a revenge thriller painted with merely the trappings of classical heft.

As a horror flick, ‘Hokum’ works. But it won’t work for everyone. It’s a film that even adults should walk into with their eyes wide open.

All those backrooms in ‘Backrooms’ can now serve a purpose beyond just being uncanny and creepy. They’ll be a great place to store all of the movie’s money.

‘Spider-Noir’ has gotten plenty of accolades for its style. But its mature content limits who will be able to see it.

Everything that makes ‘Backrooms’ terrifying could come in a PG-13 package. Alas, it doesn’t.

‘Pressure’ takes us into a little-known wrinkle in perhaps history’s most documented war, and it does so with fewer content concerns than you’d expect.

‘The Mandalorian and Grogu’ dominated the box office, no doubt, but it didn’t earn quite as much as it could have.

‘Fuze’ is a fat-free crime caper with everything you’d expect from the genre: ruses and counter-ruses, lies heaped upon more lies and a whole bunch of swearing.

‘The Mandalorian and Grogu’ feels like an old Ray Harryhausen creature feature. ‘Course, all those beasties come with teeth, and the movie does, too.

‘Maximum Pleasure Guaranteed’ is a witty, sleazy and extraordinarily dark comedy predicated on sex, murder and human greed.

Good Omens is thought by many to be a good show. But spiritually, this Prime Video series seems like it needs to be carted away in its own handbasket.

‘The Old Stories: Moses’ looks and feels like a strong, biblically based story in an era full of them—one that stands out for both its casting and technological creativity.

Lee Cronin’s The Mummy is a dark, dark movie—physically and morally. This story should itself be wrapped up and buried.

In an unsettled week at the box office, the musical biopic ‘Michael’ returned to take the box office crown.

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