Contributor: Paul Asay

Bodies Bodies Bodies has problems, problems, problems.

You probably don’t need a review of Bros to know whether it’s your cup of tea. But here’s one anyway.

The Good House is, in some respects, a good movie. But with some good editing, it could’ve been better.

Redemption is a primary theme in this evocative Apple TV+ series. But the show spends a lot of time in the muck to get there.

Jennifer Walters may have accidentally become a Hulk. But she’s a bit different shade of green than her cousin Bruce Banner.

Worldview can be so important—and yet it’s not nearly as easily recorded in our reviews.

Scary, kid-centric movies might not always be bad – but that depends on the kid and the movie in question.

This spooky series based on a young-adult novel has some very adult concerns.

Ecclesiastes 3:4 tells us that there’s “a time to weep, a time to laugh.” We do a little bit of both in this installment of The Plugged In Show.

For a show that tries so hard to be unpredictable, we’re sure exposed to plenty of very predictable issues.

This puzzle box might be better left untouched.

Part homage and part spoof, this Agatha Christie-like whodunit adds a bit of mirth to murder.

This atmospheric thriller takes a turn toward bloody horror in its third act.

Netflix revisits one of the most tragic and tawdry serial murder cases in American history. And it asks us to be entertained by it.

Blonde (a buzzy biopic of Marilyn Monroe) comes with an NC-17 rating, so we opted to pass on that film: The rating itself would be warning enough for most.