Director Steven Soderbergh’s latest thriller explores the complicated intersection of assault, technology and responsibility.
I Want You Back’s foul language, crude talk and awkward sexual silliness undermines it’s sweet date-night movie vibe.
This is a lemon-merengue-pie sort of movie: substantial; surprisingly sweet; and occasionally, regrettably, sour.
There’s harsh language, violence and heated conflicts to navigate. But Belfast still surprises with its unexpected beauty.
No animals were hurt in the making of this movie. But its stars? Oh, they most certainly were.
There’s arguably very little in the way of a clear message or moral to this wolfy tale, if you’re looking …
C’mon C’mon’s redemptive story about an uncle’s tender relationship with his nephew has some unfortunate rough edges.
House of Gucci, starring Lady Gaga, is sorta like a knock-off Gucci purse left out in the rain.
Rather than being the creative rebirth this film’s title suggests, The Matrix Resurrections is more like a greatest hits reprise.
In the years leading up to World War II, two agents—a Brit and a German—work desperately together to avert the …
This movie is a mess in pretty much every way you’d like to slice it. (And slice this movie does.)
The Tragedy of Macbeth is rated R for blood and violence, a reminder even classics can still contain problematic content.
Mass is in its own way more difficult to watch than a slasher flick. Here, bodies don’t bleed: souls do.
Marvel’s latest, Eternals, offers a sweeping, syncretistic creation story that’s full of bargain-bin gods but no divinity or transcendence.
The Tender Bar has some nice family messages—wedged between a lot of obscenities and other tough content.
