Contributor: Paul Asay

Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.

The Night Before

The Night Before could have been called The Nightmare Before had Tim Burton not already made off with the name.

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The 33

The fact that all 33 miners made it out of the mine is something of a miracle. And this movie doesn’t try to deny that God was a part of it.

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Spectre

Spectre’s conspicuous turn to the past also gives us a new opportunity to notice how Bond has changed over the years.

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Our Brand is Crisis

By the time the credits roll, Our Brand Is Crisis feels a lot like a badly run political campaign itself: crass, grimy and not sure of its own message.

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Paranormal Activity: The Ghost Dimension

This franchise is at least as problematic as its gore-encrusted cousins—perhaps more so—because of the message it so reliably puts forth.

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Room

Room can be crass and crude and incredibly uncomfortable to see. Room is also a thing of beauty—as inspiring a movie and, frankly, as Christian a story as I’ve encountered in some time.

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Steve Jobs

Movies are a lot like people, too. Great ones are not always good ones. Steve Jobs, rated R as it is, serves as an example of that.

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The Martian

Sometimes it takes a dead planet to make us appreciate the value of a single life.

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The Walk

It just goes to show you that you don’t need a lot of R-rated content to make a pretty thrilling feature.

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Sicario

Sicario asks us questions of morality: How far is too far? To fight such monstrous evil, is it necessary to become evil ourselves?

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Maze Runner: The Scorch Trials

An overlong frenetic freefall of a film that, for all its action, feels surprisingly bereft of drama.

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90 Minutes in Heaven

The most real thing that happens is here on earth. Not a bad thing, maybe, since it resonates far more than the digital visions of heaven.

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The Transporter Refueled

The Transporter Refueled is more—which means less—than a piece of silly, late-summer theater filler. It’s a loathsome exercise in rationalization.

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A Walk in the Woods

Nature can even feel like church sometimes, with birds supplying the worship music and lichen padding the pews. This movie, on the other hand, is not very much like church at all.

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Iron Man 2

Tony Stark has a bigger brain than Einstein, a bigger bank account than Queen Elizabeth and a bigger ego than Def Jam’s combined roster of rappers. So why wouldn’t he be back for a sequel?

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