This grim horror/mystery/comedy is far more about smothering life, in one way or another, than living it.
The Lorax shows the world at its worst. And it could be a favorite of the folks at Earth First! …
The main thruster rocket here is not galactic war, but the thrill ride of Han’s origin story.
The Old Guard may feel fresh and new. But in some ways, it’s the same old story.
Four Kids and It is a tale of children who meet a magical, wish-granting creature. But the story goes deeper …
Eoin Colfer, the author of the Artemis Fowl book series, described the novels as “Die Hard with fairies.”
This movie, focusing on two small-town kids in small-town America, feels intimate in a way that sci-fi films rarely attempt.
Whannel has crafted a film that plays out more as cruel reality than science fiction.
This big-screen take on Sega’s anthropomorphized cobalt cannonballer is mostly cute and cuddly.
By Pixar’s own high standards, Onward is a bit of a disappointment.
Strip away the language, airbrush out the blood, and you’ve got pretty much the same movie, only better.
Despite this film’s PG-13 rating, families may well choose to draw a line with Vin Diesel’s latest bloody actioner.
Despite what this movie’s title suggests, there are no witches in this live-action Disney classic.
This low-budget sci-fi movie’s popularity on Netflix won’t be augmented by Plugged In’s review of it.
Underwater skips exposition altogether and leaps with videogame-like glee into its deadly, high-pressure destruction.