Although The Sword in the Stone certainly delves into the world of magic and sorcery, it’s meant to be light …
For fans of this franchise, The Rise of Skywalker works: not necessarily logically, but emotionally.
This film feels anything but appropriate for families of young kids—the very audience you’d assume it’s made for.
Wendy is an imaginative and, I think, moving rumination on youth and age, dreams and grief.
This horror/comedy/fantasy mash-up tries to make light of Satan worship and spiritual hauntings.
Frozen II is not a slam-dunk, take-the-whole-fam movie for everyone.
Doctor Sleep doesn’t just want to scare you: It wants to shock and even sicken you.
Unlike the last two PG-13 flicks in this franchise, Dark Fate ratchets things back up to R-rated levels.
Noelle is packed with messages about the importance of being kind. But it’s also all about Santa.
Despite its strong redemptive themes, this sequel’s intense-but-sanitized violence might still be too much for sensitive viewers.
Despite its clever central gimmick, Gemini Man feels a little more tedious and tawdry than it ought.
Beneath its standard-issue, kid-flick elements, this pic examines something more serious: the impact of grief on a child.
We’ve been treated to some provocative sci-fi films recently, from Gravity to Interstellar to Arrival. Ad Astra aims for the …
The most gruesome parts of this pic’s killings are just outside our view. But the punishing violence we do see …
Far From Home is a fine, fun, serviceable superhero flick. But like Peter Parker’s European vacation, it contains some unwelcome …