Life for the folks depicted in this late-’70s throwback portrait of Los Angeles is anything but pleasant.
Call it an 18th-century romcom, if you will, a silly, sometimes winkingly salacious warm-up for the likes of Sense & …
Last Days in the Desert forces us to consider the humanity of Jesus in ways that can be challenging and, …
The movie isn’t actually trying to get us to barge into cable shows if our retirement portfolios dip, but its …
Derivative. The word defines something that is “imitative of the work of another person, and usually disapproved of for that …
Captain America: Civil War comfortably follows the CGI-enhanced template, but with one interesting change.
Sexual subjects and swearing make it much harder to hug this movie than it is to hold tightly to our …
It’s not that this visually picturesque but overgrown pic is outright rotten. It’s just that it’s unpruned, shall we say.
Union Bound is based on the real-life diaries of Joseph Hoover, and it is determined to remind viewers that slavery …
Elvis & Nixon wants to grant us an engaging peek behind the curtain. A fictionalized, occasionally obscene peek behind the …
An audacious—and kind of awesome at times—update of the Rudyard Kipling-written, Disney-appropriated classic tale.
Criminal is a fitting name for this movie. Indeed, we could say, “This movie is Criminal” and leave it pretty …
Throwing yourself headfirst into a garage-sized blender would be pretty gutsy, too. Though not much of a movie night.
Numbness initially keeps Davis’ grief submerged, but the pain still leaks out, sometimes in the way Davis sees reality.
God’s Not Dead challenges American Christians to grapple with the fact that freedom to express their faith is under fire. …