Plugged In exists to shine a light on the world of popular entertainment while giving you and your family the essential tools you need to understand, navigate and impact the culture in which we live. Through reviews, articles and discussions, we want to spark intellectual thought, spiritual growth and a desire to follow the command of Colossians 2:8: "See to it that no one takes you captive through hollow and deceptive philosophy, which depends on human tradition and the basic principles of this world rather than on Christ."


Family uses Plugged In as a ‘significant compass’

"I am at a loss for words to adequately express how much it means to my husband and me to know that there is an organization like Focus that is rooting for us. Just today I was reading Psalm 37 and thinking about how your ministry provides ways to 'dwell in the land and enjoy safe pasture.' We have two teenagers and an 8-year-old in our household...Plugged In has become a significant compass for our family. All three of our kids are dedicated to their walk with Christ but they still encounter challenges. Thanks for all of your research and persistence in helping us navigate through stormy waters."

Plugged In helps college student stand-up for his belief

"Thanks for the great job you do in posting movie and television reviews online. I’m a college freshman and I recently had a confrontational disagreement with my English professor regarding an R-rated film. It is her favorite movie and she wanted to show it in class. I went to your Web site to research the film’s content. Although I had not seen the movie myself, I was able to make an educated argument against it based on the concerns you outlined. The prof said that she was impressed by my stand and decided to poll the whole class and give us a choice. We overwhelmingly voted to watch a G-rated movie instead! I’ve learned that I can trust your site and I will be using it a lot in the future.”

Plugged In brings ‘Sanity and Order’ to Non-believer

“Even though I don’t consider myself a Christian, I find your Plugged In Web site useful and thought-provoking. No one reviews movies like you do. Instead of being judgmental, you put entertainment ‘on trial.’ After presenting the evidence, you allow the jury of your readers to decide for themselves what they should do. In my opinion, you bring sanity and order to the wild world of modern day entertainment. Keep up the good work!”

Mom thinks Plugged In is the ‘BEST Christian media review site’

"Our family doesn't go to the movies until we go online and check out your assessment of a given film. I think this is the BEST Christian media review website that I've found, and I recommend it to my family and friends. Keep up the good work!"


Our hope is that whether you're a parent, youth leader or teen, the information and tools at Plugged In will help you and your family make appropriate media decisions. We are privileged to do the work we do, and are continually thankful for the generosity and support from you, our loyal readers, listeners and friends.


Watch This Review

We hope this review was both interesting and useful. Please share it with family and friends who would benefit from it as well.

Movie Review

Don't call him Tarzan.

His name's John, all right? John Clayton, Viscount of Greystoke. Sure, maybe he was raised by apes. Yes, there was a time he yodeled like a cowboy banshee while swinging from vines. But those days are done now. He's living quite comfortably in his London mansion with his lovely wife, Jane. He's a member of Britain's House of Lords. He's sipping tea with his pinkie extended. He's out of Africa, and he doesn't plan on going back. Not even if he's invited by the king himself.

And then he's invited by the king himself.

Not the King of England, of course. Don't be silly. It's the Victorian age in 1884—as in Queen Victoria. No, John's invited to tour the Congo by the colony's de facto owner, King Leopold II of Belgium. Leopold and his in-continent surrogate, Leon Rom, say they want John to check out all the good work that's being done in deepest, darkest Africa: The schools and churches Leopold's building, the railroads he's constructing, the people he's helping. If John can see for himself just what a great place the Congo's becoming, well, he can tell the rest of the world about it. And then the rest of the world will invest handsomely in Leopold's philanthropic state.

Tarz—er, John still has no interest in going until American adventurer George Washington Williams begs him to reconsider. See, George suspects Leopold's Congo might not be the idyllic paradise he claims it is. In fact, George thinks that Leopold's underlings—Leon Rom among them—might be enslaving the local populace for personal profit. John, given his intimate familiarity with the area, might be able to get to areas Leopold doesn't want them to see. To witness what's really going on.

So John and Jane skip off to the continent with George. Jane's eager to see old friends again. And John … well, maybe it won't be so bad to pick lice off a few old buddies, either.

But even as John, Jane and George look to blow the cover off the Congo's colonial quandary, Leon Rom has an agenda of his own. Truth is, he doesn't plan on showing John a single church or school or humanitarian project. He simply wants to introduce John to Chief Mbonga, the head of one of the Congo's most terrifying tribes. Seems that John killed Mbonga's only son back when he was just Tarzan. And Mbonga—whose territory encompasses the legendary diamond fields of Opar—is willing to pay handsomely for vengeance.

All Rom has to do is kidnap John and ship him over to Mbonga. Or, barring that, maybe he can kidnap Jane and use her as bait. The most critical part of all, though, may be keeping John from chatting with some of his old, wild acquaintances, getting them all stirred up and organizing them into some motley, furry army.

The last thing Rom needs, really, is a gorilla war on his hands

Positive Elements

Jane is, naturally, kidnapped by Rom. It sometimes seems as though Jane's sole purpose in life—at least in Tarzan movies—is to be kidnapped so Tarzan can rescue her. She clearly knows the drill:

"An ordinary man will do impossible things to save the woman he loves," she warns Rom. "And my husband is no ordinary man."

Right, then.

John is indeed extraordinary. He serves as both a field marshal for and a diplomat between the forces of the animal kingdom and the colony's indigenous residents. He's strong, brave and even submissive when he has to be, and he will indeed do anything to rescue his lady love.

Jane demonstrates her own wellspring of courage, too, making a daring escape from Rom's boat with a friend.

John, Jane and George want to put an end to the exploitation of the Congo—the slavery, the ivory trade, the indiscriminate killing of man and beast. If only Tarzan had been around during Leopold's real exploitation of the Congo, millions of lives might've been saved.

Spiritual Content

Rom carries what appears to be a rosary—but one strung together, we're told, by the silk of a Madagascar spider. As a result, the necklace is more a weapon than an object of devotion. Rom uses it to ruthlessly choke and lasso many a victim. (It's possible the filmmakers also intended it as a bit of metaphorical commentary, a symbol of colonial oppression through which malicious Western "Christians" such as Rom would subjugate native populations.) Rom tells Jane that he received it from his priest when he was 9 years old. Jane quips that it sounds as if he was very close to his priest, an apparent allusion to the Catholic pedophilia scandal.

That said, faith is shown in a more positive light, too: In flashback mode, we hear John's father offer a plea to the Almighty shortly before a band of gorillas kills him. "God, help us," he says. "God, help him," meaning John. In the next scene, the baby John is discovered and rescued by Kala, a female gorilla who becomes his de facto "mother."

We hear about Leopold building churches. A savage tribe hangs dead European soldiers from poles, their guns tied above their heads to form what look to be Christian crosses. When a man is asked to have a little faith, he snaps back, "Faith is for missionaries." Jane says that as a daughter of an American teacher, she doesn't believe in "spirits."

Sexual Content

A scene with Jane and John begins with him imitating the mating calls of animals (which Jane playfully identifies) somewhere outside their bedroom before he eventually slips into the room behind her. The married couple kisses and, it's suggested, has sex. (They embrace passionately and we see some skin, but nothing critical, in a brief scene.) John and Jane also kiss elsewhere, including in a tree as Jane partly straddles him.

John and Jane first meet when he knows nothing about the ways of humankind. He greets her by sniffing her all over, including her crotch. (Jane pushes him away and runs off.) When an angry male gorilla acts as if it's about to attack George, John tells him to be submissive and expose his most vulnerable areas. George asks John derisively if he should lick the animal's testicles as well (as the camera focuses between the gorilla's legs).

Rom has a crush on Jane. He invites her to dinner and watches her enter from behind a screen. Jane sometimes wears outfits that reveal some cleavage. At one point her dress gets soaked and clingy. Many men in the movie, of course, go about shirtless.

Violent Content

The jungle is not a gentle place. But Rom and his hired mercenaries aren't exactly kind, either.

The latter clash with natural Africa—and its various residents—in often brutal ways. Hired soldiers gun down several native tribesman after one half-heartedly throws a spear in their direction. Confronted with a nervous-but-peaceful band of gorillas, mercenaries panic and kill about a dozen of them. Rom shoots a human chieftain in the head as his people are being dragged away into slavery.

But the jungle is not toothless, either. An isolated tribe rips apart a squadron of soldiers, until just one is left standing. Wildebeests stampede a colonial outpost, destroying tents, ripping down buildings and presumably trampling many to death. (We only see one victim fall directly under their thundering hooves, however.) Lions maul humans (though we see no blood). It's suggested that crocodiles attack and devour anyone unlucky enough to come near them. (Again, we don't witness the attacks directly.) A huge hippopotamus lunges at two people trying to make their escape from a river. An ostrich stalks George, and John warns him that it could disembowel him with its talons.

But the gorillas are the real kings of this jungle. They pound people brutally at times. John and a male gorilla square off in a violent confrontation, leaving John with a huge gash on his shoulder. (He and George grotesquely stitch up the wound with the pincers from ants, the bodies of which John later eats.) In a flashback, John as a young man is brutalized by a maurauding simian. In another flashback, 5-year-old John is nearly killed by another gorilla. (The unclothed boy huddles in a fetal position until the animal huffs and moves off.)

John fights a whole train car full of soldiers, lodging one in the ceiling (his feet hang comically down) and bashing the head of another into a stove with a clang. One man has his ear shot. Several people suffer bullet wounds. Rom chokes people with his rosary. A gorilla is lethally felled by an arrow. Someone is jabbed in the back with a spear. The bodies of flamingos are carved up for dinner. Ivory tusks, some still bloody, are carted away by train. George regrets his previous work as a mercenary and Indian hunter. We hear about a miscarriage.

Crude or Profane Language

One s-word and a smattering of other profanities, including "a--," "b--tard," "d--n" and "h---." God's name is misused twice, and Jesus' name is abused once.

Drug and Alcohol Content

Characters sip wine at dinner. George coughs after drinking some homemade beer.

Other Negative Elements

When John is captured by mercenaries, one quips that John must've been overcome when he first saw Jane, given that he'd previously been surrounded only by "negresses and baboons."


When Edgar Rice Burroughs penned his first Tarzan book in 1912, colonialism was still in full swing. And even as Tarzan was very much at home in Africa's romantic wilds, Burrows was not above stereotyping some of his ancillary characters in ways that most of us would find offensive today. To take Tarzan as he was written then and slap that unalloyed character onscreen would likely be impossible today.

So while Tarzan has remained one of pop culture's most enduring figures, he's been continually reinvented along the way. And even though this story takes place in 1884, its sensibility is very, very modern.

That's both good and bad. Gone is the swooning, weeping Jane of yesteryear: When Rom asks her to scream to attract Tarzan, she sarcastically asks, "Like a damsel?" and spits in his face. The African tribes that work with Tarzan are full partners in the process—just as intelligent and brave as the King of the Jungle. The colonial system is shown as the horror that it likely was, particularly in the Leopold-ruled Congo of the time.

Alas, in correcting some of the problems of the past, The Legend of Tarzan also creates some new ones. The colonists (who are, admittedly, mercenaries) are cartoonishly despicable and wholly expendable. Audiences are encouraged to weep over the death of an animal and cheer when a person gets their cinematic just deserts. Gorillas are often represented as more human than humans themselves. And the Catholic Church—in the form of Rom's lethal rosary—is lumped in with colonialism and dragged through the mud along with it.

And, of course, the film has all the content problems you'd expect from a summertime PG-13 actioner: It's violent. It's profane at times. It even engages in a bit of bed-based flirtation. Oh, and frankly, the movie just ain't that good. This CGI smorgasbord tells what Warner Bros. hopes is a bankable story, but it's not a great one.

But while it has some issues, The Legend of Tarzan doesn't have as many as it could've had. While it is violent and the body count is pretty high, it's not particularly bloody. Bad language is present but not pervasive. The fleeting sexual content is more suggestive than explicit. The latest Tarzan may not be a great movie, but it is a serviceable one—one which will likely appeal to those who dig animals and see the charm in a world not so civilized.

Pro-social Content

Objectionable Content

Summary Advisory

Plot Summary

Christian Beliefs

Other Belief Systems

Authority Roles



Discussion Topics

Additional Comments/Notes

Episode Reviews



Readability Age Range



Alexander Skarsgård as John Clayton/Tarzan; Margot Robbie as Jane Clayton; Christoph Waltz as Leon Rom; Samuel L. Jackson as George Washington Williams


David Yates ( )


Warner Bros.



Record Label



In Theaters

July 1, 2016

On Video

October 11, 2016

Year Published



Paul Asay

Content Caution

We hope this review was both interesting and useful. Please share it with family and friends who would benefit from it as well.

Get weekly e-news, Culture Clips & more!