This tale would probably make more sense if you could just turn off the dialogue and watch the splashy images …
This film’s characters are often heroic. Its language often isn’t.
The Foreigner is a dark, grim actioner, filled with blood and bad words a-plenty. Rush Hour? Try crushed and dour.
Both Blade Runner films lead us into an unseemly, seedy milieu in which humanity’s worst impulses have been augmented and …
This movie has as many content concerns as it has difficult-to-believe plot points.
My Little Pony: The Movie is a film you can walk out of holding your tyke’s hand without feeling depressed, …
This film has a license to ill.
This latest LEGO tale still feels, uh, apiece with the plastic-block cinematic universe we’ve come to know so well.
American Assassin is a thriller with a sleek, hard and bloody sheen.
Birth of the Dragon unexpectedly illustrates some important spiritual truths in a story that otherwise plays fast and loose with …
Leap! tells a story that feels like so many others we’ve seen before. (Especially from Disney.) But its familiarity doesn’t …
Good Time is filled with sex, violence, drug use and language, making the movie’s title an obscenely ironic statement.
Think Deadpool, only with hired assassins, Russian thugs and nobody in spandex.
We find a strong dramatic proclamation made that even the most powerful of evil can be faced down by the …
Kidnap isn’t as bad as it could be, but that doesn’t make it good. This movie’s speed limit is higher …