Contributor: Paul Asay

‘Pressure’ takes us into a little-known wrinkle in perhaps history’s most documented war, and it does so with fewer content concerns than you’d expect.

Steven Spielberg’s spiritually tinged ‘Disclosure Day’ earns an estimated $44 million in North America to claim the weekend’s box-office crown.

‘Disclosure Day’ meets audiences at the intersection of faith and aliens, but it’s not the first film to do so. Here are five other sci-fi films that question faith.

A long-dead franchise rises from its cinematic grave to take first place at the box office.

The latest remake of ‘Cape Fear’ is a TV show this time—and that provides so much more time to add the worst forms of problematic content.

When it comes to being suitable for families, Amazon Prime’s The Legend of Vox Machina failed its saving throw.

‘Backrooms’ speaks into our fear of the unknown, particularly the unknown things about ourselves. But God speaks into those fears, too, and offers a much more comforting resolution.

For all its epic pretensions, ‘Is God Is’ feels hollow and half-made; a revenge thriller painted with merely the trappings of classical heft.

As a horror flick, ‘Hokum’ works. But it won’t work for everyone. It’s a film that even adults should walk into with their eyes wide open.

All those backrooms in ‘Backrooms’ can now serve a purpose beyond just being uncanny and creepy. They’ll be a great place to store all of the movie’s money.

‘Spider-Noir’ has gotten plenty of accolades for its style. But its mature content limits who will be able to see it.

In ‘Iron Lung,’ a guy pilots a tiny submarine through an ocean of blood. And that, my friends, should be all you need to know.

‘The Mandalorian and Grogu’ dominated the box office, no doubt, but it didn’t earn quite as much as it could have.

‘Fuze’ is a fat-free crime caper with everything you’d expect from the genre: ruses and counter-ruses, lies heaped upon more lies and a whole bunch of swearing.

‘Maximum Pleasure Guaranteed’ is a witty, sleazy and extraordinarily dark comedy predicated on sex, murder and human greed.