Everything that makes ‘Backrooms’ terrifying could come in a PG-13 package. Alas, it doesn’t.
‘The Devil Wears Prada 2’ isn’t as clever or biting as the original, and there’s some harsh language. But for …
‘I Love Boosters’ doesn’t lack creativity. But this crime/comedy/fantasy surrealist satire falls short in decency and coherence.
‘Citizen Kane’ launched Orson Welles’ career and brilliantly reshaped moviemaking. You know, little stuff like that.
Netflix’s ‘Enola Holmes 3’ brings another fun mystery to the series, but we see several violent fight scenes and a …
In ‘Tuner,’ a guy with supersensitive hearing uses his unique skillset to crack safes. Too bad the film’s foul language …
‘Sergeant York’ is a classic film about redemption, faith and courage. It’s equal parts patriotic and spiritually resonant.
Netflix’s ‘In the Hand of Dante’ feels like a pretentious, smirkingly shocking, absolutely vacuous puddle of goo.
Paul Rudd plays a wedding band singer longing for better days. But though ‘Power Ballad’ strums a few nice chords, …
‘Color Book’ has some quiet and wonderful moments in its black-and-white palette. Too bad there are some off-color language bits, …
The threat of abstracting is real in ‘The Amazing Digital Circus.’ Parents will note that some of the content here …
‘Pressure’ takes us into a little-known wrinkle in perhaps history’s most documented war, and it does so with fewer content …
When an idealistic guy goes to Washington, he finds that the government isn’t as upright as he thought. But the …
‘Michael’ covers Michael Jackson’s rise to superstardom with much more style than substance—and a few content issues, too.
‘In the Grey’ feels a lot like ‘Mission Impossible’ with a dash of ‘Oceans 11’ sprinkled in. Except there’s a …