Contributor: Paul Asay

Whatever purpose it has, and however well it might be crafted, Cherry makes for a miserable viewing experience.

If you tossed aside all of this movie’s f-words, Crisis’ cautionary message could have cruised into PG-13 territory.

Fresh off his Golden Globe win, we talked with the Minari director about his movie and the subtle sense of spirituality that permeates this story.

Is this belated sequel fit for a 13-year-old to watch, much less watch alone? I think not.

Punky Brewster isn’t a reboot. And it’s not quite the same family-friendly sitcom older fans might remember, either.

It was a pretty interesting year for Christian movies, and our slate of worthy nominees feels more diverse than in some past years.

We know that sometimes difficult, content-laden movies can still contain some pretty good messages, but weighing the two can be difficult.

Normally, this category is chock full of big sci-fi blockbusters and superhero movies. But as we know, this year was a little different

Our annual Plugged In Movie Awards give us the opportunity to applaud movies that did things right.

The movie’s version of Han van Meegeren seems to like to shock people. And, years after his own death, he still just might.

This trippy, erotic mystery thriller is something David Cronenberg might love. Your family likely won’t.

What if the Russians had landed the moon first? This Apple TV+ drama imagines how that alternate reality might have played out.

The first responders on Fox’s drama are folks doing their best. But the show, like their jobs, can get a little messy.

Both lyrical and earthy, Nomadland strikes a chord, forcing audiences to consider what they value … and what they should.

Flora & Ulysses reminds us that the world around us—even minus superpowered squirrels—is a pretty wonderous place.