Contributor: Paul Asay

Apple TV+’s horror-comedy ‘Widow’s Bay’ takes us to a deceptively bucolic island that hides some serious issues. The same could be said for the series itself.

‘Apex’ falls short of its lofty title. Despite its strong performances, the film loses its grip and slips into the overpopulated realm of needlessly grotesque thrillers.

While Netflix says that the animated ‘Stranger Things: Tales From ’85’ is a kinder, gentler sort of ‘Stranger Things’ show, that hardly makes it kind or gentle.

Nature can be brutal—but it can be beautiful and funny, too. ‘Orangutan,’ playing on Disney+, serves as a nice reminder of the latter.

Hey, Hollywood! Are you taking note? Good, strong, clean movies continue to (ahem) clean up at the box office.

Netflix’s newest show is well done, you might say. But Plugged In has a beef with some of its problems.

Despite some really encouraging thoughts on the preciousness of life, ‘Margo’s Got Money Troubles’ is awash in troubles of its own.

Unquestionably effective, ‘Undertone’ may be the year’s scariest movie—but it’s a difficult, disturbing and demonic ride.

Fox’s ‘The Faithful’ explores stories from the Bible through the eyes of biblical matriarchs, highlighting these women’s incredible faith.

Amazon’s dark and cynical homage to superheroes is neither super, nor heroic.

Does ‘The Super Mario Galaxy Movie’ prove Hollywood is getting better at making video game movies? Plus, an interview with Joshua Enck!

The Super Mario Galaxy Movie was as good as its name. Plumbers Mario and Luigi led the film to a cosmically super five-day start, blasting to $190.1 million in North America and a staggering $372.5 million opening frame worldwide. Wowser, Bowser. You m …

What if the Russians had landed the moon first? This Apple TV+ drama imagines how that alternate reality might have played out.

You won’t be surprised that murder is part of Hulu’s latest import, ‘If It’s Tuesday, It’s Murder.’ But the level of profanity is unexpected.

‘Dolly’ is devoid of ethical merit and proud of it. It is a ridiculous exercise in gore production—and unapologetically so.