Contributor: Paul Asay

Ecclesiastes 3:4 tells us that there’s “a time to weep, a time to laugh.” We do a little bit of both in this installment of The Plugged In Show.

For a show that tries so hard to be unpredictable, we’re sure exposed to plenty of very predictable issues.

This puzzle box might be better left untouched.

Part homage and part spoof, this Agatha Christie-like whodunit adds a bit of mirth to murder.

This atmospheric thriller takes a turn toward bloody horror in its third act.

Netflix revisits one of the most tragic and tawdry serial murder cases in American history. And it asks us to be entertained by it.

Blonde (a buzzy biopic of Marilyn Monroe) comes with an NC-17 rating, so we opted to pass on that film: The rating itself would be warning enough for most.

Sometimes terror can remind us of the One who dispels all terror, and who tells us, in whispered Scripture, “Be not afraid.”

Three big-city children head to a small English village in World War II, and they learn some valuable lessons along the way.

The Mouse House just released a live-action take on its own 1940 animated classic, Pinocchio. And as you might expect, the newest sports some changes.

Jordan Peele is back with another provocative horror film. But many might be better off saying “nope” to the film itself.

Morpheus is the master of dreams in this Netflix series. But the content is nightmarish.

It has a few speed bumps along the way, but the new Disney+ show Cars on the Road will be high-octane fun for some fans of the franchise.

Yes, the fourth Thor film features plenty of thunder and a good bit of love. But this Asgardian ship carries a cargo of problems, too.

The latest remake of Pinocchio isn’t terrible. But even Tom Hanks can’t quite save it from some 21st-century thematic shifts.