Contributor: Paul Asay

Despite a strong challenge from last week’s champ, Transformers: Rise of the Beasts rolled to the top of the box-office standings.

As the Fast & Furious franchise winds down, this entry features a few storyline surprises. But its content concerns are no surprise at all.

A mysterious organization has the ability to go back in time. But most families won’t want to make time for The Lazarus Project.

This Sons of Anarchy spinoff looks and feels much the same: motorcycle gangs, family conflict and lots of blood.

HBO’s The Idol has been touted by Rolling Stone as a “darker, crazier and more risqué version of Levinson’s smash-hit Euphoria.”

Based on Judy Blume’s beloved book, this film ports in all of that book’s honesty, heart, and—depending on the family—issues.

In one weekend of work, Across the Spider-Verse has already cracked the year’s top 10.

We chatted with Sean McNamara about his latest film, how his faith impacts his work and what advice he has for other Christian storytellers.

Manifest dives deeper into the spiritual realm—and not entirely in a good way.

The sun rarely shines in The Rising, which seems wholly fitting. It is a gloomy, humorless slog through scandal, secrets and murder.

Social media filters can be fun or potentially damaging. The Plugged In team breaks them down. Then we discuss Jonas Bros.’ The Album.

The Little Mermaid made big waves at the box office, swimming to an estimated $95.4 million during the traditional three-day weekend.

Great songs and strong performances can’t pull this problematic docudrama out of its musical muck.

The movie doesn’t just take its forerunner and turn it into something new. It embraces it—and gives us something familiar.

American Born Chinese is fun, funny and exciting, standing apart from Disney+’s prominent franchises. But it’s not perfect.