Contributor: Paul Asay

Criminal is a fitting name for this movie. Indeed, we could say, “This movie is Criminal” and leave it pretty much at that.

Letter of reference? Ha! What The Boss really deserves is a pink slip.

While this movie’s violence doesn’t go beyond what we see in most Marvel flicks, the atmosphere here is so darkly brooding that it feels much harsher.

While this movie is marginally cleaner than its predecessors in terms of content, it’s unquestionably worse in terms of story.

This is a horror movie, both intimate and sprawling in scope. And as a horror movie, it works. It works too well, perhaps.

Even if the mayhem makes it past your familial sense of protectionism, the obscene language probably won’t.

Terrence Malick movies are like onions. Remove a layer, and there’s always another one to explore. And sometimes they can make your eyes burn, too.

Gods of Egypt has some nifty CGI work, but is otherwise terrible in pretty much every sense of the word.

An inspiring story and a great reminder that, while we were not all given Jesse Owens’ speed, we were all put here to do something.

An inspiring story and a great reminder that, while we were not all given Jesse Owens’ speed, we were all put here to do something.

This might be fashionable these days. But it’ll never be pretty.

With great power comes great responsibility. That’s what Spider-Man taught us. But Deadpool is as irresponsible as they come.

Feels a lot like all of its extras: mostly dead.

Disney’s The Finest Hours feels like an old-fashioned adventure yarn that wants to inspire as much as thrill.

To truly describe this movie, one must invent new words that mean “ridiculously foul,” only worse.