Contributor: Paul Asay

Bad Samaritan is a bad film—one that if we came across on the side of the road, we might do well to walk on by.

Infinity War will challenge many a moviegoer, especially young ones.

Traffik may have had an important destination in mind. But—fittingly for its title—it gets seriously stuck along the way.

This animated film offers young filmgoers an age-appropriate look at one of the worst conflicts in history.

This drama reminds us that dwelling on the ifs in life is no way to live it.

Before the credits roll, Acrimony boards an express train to Crazyville.

Isle of Dogs has some nice messages and a worthy moral. But it also can be sad and kinda disturbing and even tickles tragedy at times.

Let me just say this to aspiring faith-oriented moviemakers: This is how it’s done.

This is your standard, plastic, pink flamingo of a movie—colorful and cute and maybe even fun, but kinda tacky, too.

7 Days in Entebbe is a fascinating and, to my eyes, fair dramatization of that agonizingly long week.

The more you like a flick, the more it’ll potentially influence you. And Love, Simon aims to influence.

This horror flick is exactly what you think it is: would-be killers chasing around would-be victims with sharp things.

A Wrinkle in Time is no masterpiece. But it still has a wrinkle or two of its own that families can unpack and discuss.

Death Wish suggests that society’s most troubling issues can best be addressed by the blazing barrel of a vigilante’s gun.

There’s a lot going on in Annihilation—a tense, freaky, bloody sci-fi rumination on the cyclical nature of life, death and rebirth.