‘Her Private Hell’ loves sex, violence and crude language. It’s also too artsy for its good, forsaking good storytelling for …
Netflix’s foul comedy ’72 Hours’ fortunately runs for less than two hours. But even that time could be spent far …
‘Motor City’ motors through a revenge drama but replaces dialogue with a needle-drop sound design. It’s both creative and violently …
Lewd and crude, the only thing scary about this ‘Scary Movie’ reboot is its juvenile obsession with sex, drugs, violence …
Director Christopher Nolan’s take on ‘The Odyssey’ is undoubtedly epic. But much like Odysseus’ voyage, there are some dangers here …
Director Ryuya Suzuki’s ‘Jinsei’ is unexpected, poignant and flat-out strange. It’s also besotted with problems that get more intense as …
1989’s ‘Glory’ is a top war film for a reason. But families should be advised of bloody battles and foul …
Everything that makes ‘Backrooms’ terrifying could come in a PG-13 package. Alas, it doesn’t.
Up-and-coming writer and director Curry Barker knows his craft, but in ‘Obsession,’ he uses his talents to tell a messed-up …
‘I Love Boosters’ doesn’t lack creativity. But this crime/comedy/fantasy surrealist satire falls short in decency and coherence.
‘Passenger’ feels like a series of online horror shorts all tied together with a gossamer narrative thread.
‘The Furious’ is packed with top-shelf martial arts action. But the end result is messy in oh so many ways.
In ‘Tuner,’ a guy with supersensitive hearing uses his unique skillset to crack safes. Too bad the film’s foul language …
The nice messages in Netflix’s ‘Little Brother’ are completely overshadowed by the film’s raunchy comedy, foul language and more.
Netflix’s ‘Voicemails for Isabelle’ is often sweet, sometimes funny and, all too often, problematic as well.