Murder, gory violence, forced back-alley abortions and foul language barely scratch the surface of this nightmarish film.
Though made by a master filmmaker and featuring a couple of promising young stars, for families this pizza is indigestible.
Whenever a nail gun becomes part of a movie’s supporting cast, you know you’re in for trouble.
The King’s Man ostensibly critiques terrible, senseless violence while at the same time giving us plenty of it.
In this gruesome sequel, we watch the only scenario in which gun-wielding Texans cannot beat one guy with a chainsaw.
Director Steven Soderbergh’s latest thriller explores the complicated intersection of assault, technology and responsibility.
I Want You Back’s foul language, crude talk and awkward sexual silliness undermines it’s sweet date-night movie vibe.
No animals were hurt in the making of this movie. But its stars? Oh, they most certainly were.
There’s arguably very little in the way of a clear message or moral to this wolfy tale, if you’re looking …
C’mon C’mon’s redemptive story about an uncle’s tender relationship with his nephew has some unfortunate rough edges.
House of Gucci, starring Lady Gaga, is sorta like a knock-off Gucci purse left out in the rain.
Rather than being the creative rebirth this film’s title suggests, The Matrix Resurrections is more like a greatest hits reprise.
This movie is a mess in pretty much every way you’d like to slice it. (And slice this movie does.)
The Tragedy of Macbeth is rated R for blood and violence, a reminder even classics can still contain problematic content.
The Tender Bar has some nice family messages—wedged between a lot of obscenities and other tough content.