Noelle is packed with messages about the importance of being kind. But it’s also all about Santa.
Despite its strong redemptive themes, this sequel’s intense-but-sanitized violence might still be too much for sensitive viewers.
Despite its clever central gimmick, Gemini Man feels a little more tedious and tawdry than it ought.
Beneath its standard-issue, kid-flick elements, this pic examines something more serious: the impact of grief on a child.
We’ve been treated to some provocative sci-fi films recently, from Gravity to Interstellar to Arrival. Ad Astra aims for the …
The most gruesome parts of this pic’s killings are just outside our view. But the punishing violence we do see …
Far From Home is a fine, fun, serviceable superhero flick. But like Peter Parker’s European vacation, it contains some unwelcome …
I get that this zombie satire’s supposed to be funny. But it isn’t. And I get that it’s supposed to …
MiB: International holds true to the film franchise’s light tone. But it sports some extraterrestrial problems, too.
The second big-screen iteration of Jean Gray’s tragic transformation into the Phoenix is a predictably violent, occasionally profane affair.
This metropolis-mulching monster masher makes superhero-movie destruction look almost dainty in comparison.
Like the disturbed alien child at its center, this movie feels bad to its very marrow.
This version of Aladdin isn’t “A Whole New World.” But that’s a good thing.
The movie’s wonderfully rendered Pokémon will have young fans of the franchise (mostly) oohing and awing.
This finale reminds us of movies gone by, celebrating the heroes we’ve come to know and giving them, I think, …