This movie is a mess in pretty much every way you’d like to slice it. (And slice this movie does.)
This sequel to the classic ’80s comedy actioner is exactly what you’d expect—in both good ways and bad.
Style, nostalgia, and cinematic panache can’t hide this pic’s cringe-worthy levels of content.
Antlers symbolically suggests messages about child abuse and environmentalism—all in the context of a very bloody story.
Halloween Kills’ screeching, impaling and exuberant hemorrhaging is exactly what you’d expect it to be.
Candyman isn’t sweet. It was never intended to be. But its excesses are enough to choke on.
A gruesome, eye-gouging, hack-me-with-a-machete smorgasbord.
There’s Someone Inside Your House feels like an updated version of past gorefests. But it’s mired in the same predictable …
This tale starts off as a wounded woman’s search for resolution and slowly inches its way into palpable darkness.
Tournament of Champions is little more than 90 minutes of evil torment, frantic searches, overacted screeches and foul language.
Nightbooks is intended as a kid-friendly horror flick. It certainly succeeds at the “horror” part. The “kid-friendly” part? not so …
Apart from the political ideas this franchise tries to unpack, there’s still all that gruesome violence to deal with.
Even if witchers were the “better men” that Deglan hoped for, The Witcher: Nightmare of the Wolf would probably still …
There’s a lot here to appreciate if you’re in the mood for a good scare at the movies.
