The King’s Man ostensibly critiques terrible, senseless violence while at the same time giving us plenty of it.
In this gruesome sequel, we watch the only scenario in which gun-wielding Texans cannot beat one guy with a chainsaw.
Director Steven Soderbergh’s latest thriller explores the complicated intersection of assault, technology and responsibility.
Tall Girl 2 continues to explore the important subjects of teen self-esteem and self-acceptance.
This is a lemon-merengue-pie sort of movie: substantial; surprisingly sweet; and occasionally, regrettably, sour.
There’s harsh language, violence and heated conflicts to navigate. But Belfast still surprises with its unexpected beauty.
American Underdog tells one of the most unlikely Cinderella sports stories ever—and shows the faith, hope and love behind it.
There’s arguably very little in the way of a clear message or moral to this wolfy tale, if you’re looking …
C’mon C’mon’s redemptive story about an uncle’s tender relationship with his nephew has some unfortunate rough edges.
House of Gucci, starring Lady Gaga, is sorta like a knock-off Gucci purse left out in the rain.
One part true story, one part sports comedy, Home Team delivers some nice messages about fatherhood and redemption.
In the years leading up to World War II, two agents—a Brit and a German—work desperately together to avert the …
This movie is a mess in pretty much every way you’d like to slice it. (And slice this movie does.)
The Tragedy of Macbeth is rated R for blood and violence, a reminder even classics can still contain problematic content.