Up-and-coming writer and director Curry Barker knows his craft, but in ‘Obsession,’ he uses his talents to tell a messed-up …
‘I Love Boosters’ doesn’t lack creativity. But this crime/comedy/fantasy surrealist satire falls short in decency and coherence.
‘Passenger’ feels like a series of online horror shorts all tied together with a gossamer narrative thread.
‘The Furious’ is packed with top-shelf martial arts action. But the end result is messy in oh so many ways.
In ‘Tuner,’ a guy with supersensitive hearing uses his unique skillset to crack safes. Too bad the film’s foul language …
The nice messages in Netflix’s ‘Little Brother’ are completely overshadowed by the film’s raunchy comedy, foul language and more.
Netflix’s ‘In the Hand of Dante’ feels like a pretentious, smirkingly shocking, absolutely vacuous puddle of goo.
Paul Rudd plays a wedding band singer longing for better days. But though ‘Power Ballad’ strums a few nice chords, …
‘Deep Water’ is essentially two disaster movies rolled up in one. Squinting heroism and bloody carnage abound.
‘Mortal Kombat II’ is a faithful adaptation of its video game source material—which means lots of blood-soaked butchery.
Netflix’s ‘Office Romance’ could have been a cute romcom, but it chose to violate the zero-tolerance policy in far too …
As a horror flick, ‘Hokum’ works. But it won’t work for everyone. It’s a film that even adults should walk …
‘In the Grey’ feels a lot like ‘Mission Impossible’ with a dash of ‘Oceans 11’ sprinkled in. Except there’s a …
For all its epic pretensions, ‘Is God Is’ feels hollow and half-made; a revenge thriller painted with merely the trappings …
In ‘Iron Lung,’ a guy pilots a tiny submarine through an ocean of blood. And that, my friends, should be …














