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Snowpiercer

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Reviewer

Paul Asay
Emily Tsiao

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Episode Reviews

TV Series Review

Global warming? If only.

Back in 2014, worried scientists tried to reverse rising temperatures … and boy were they successful. The Earth experienced a different sort of climate change, with temperatures plummeting to obscenely cold and, frankly, unlivable levels. The globe is now a gigantic ball of ice, and everything that once called it home is more thoroughly frozen than that forgotten TV dinner in your icebox.

Well, except for those riding the Snowpiercer.

The train is all that’s left of humanity—of, in fact, life itself. The creation of a reclusive tycoon named Mr. Wilford, the Snowpiercer is a rail-bound ark and on-the-move social experiment—now 879 cars filled with society’s former elite and the downtrodden.

But while the world itself has chilled, humanity hasn’t changed. Stuff thousands of men and women in one train, no matter how long, and there’s bound to be trouble.

POLAR DISTRESS

First, the “tailies” (the poor who lived for years in the train’s slum-like tail) revolted against their oppressors. They won, but then Wilford—who’d actually been tossed from the train years before by the indomitable Melanie Cavill—came back, having retrofitted an old supply train (Big Alice) that then anchored itself to the Snowpiercer.

Wilford claimed he just wanted what was best for humanity. But after Melanie discovered that the earth might be thawing—meaning they could leave the trains and set up a permanent colony—Wilford did everything in his power to stop her and her cohorts from revealing the truth.

Speaking of those cohorts, leading the resistance against Wilford is former homicide detective Andre Layton. He helped stage the original Tailies’ rebellion against Melanie. But after learning that she only did what she did to preserve humanity, he joined forces with her against Wilford.

Several power struggles later—during which Melanie was kicked off the train, found her way back and then managed to kick Wilford off yet again—the residents of Snowpiercer were given a choice:

Follow Layton on Big Alice to explore a thawed region of Africa and set up a colony called New Eden. Or stick with Melanie on the Snowpiercer and continue on as they always have.

It’s been nine months since that split, and the residents of New Eden are doing pretty well for themselves. But as they prepare for the return of Snowpiercer (the first time the train has come back into radio range since they left), things begin to go amiss.

Someone sabotages the power grid and radio towers of New Eden. A hermit begins hearing voices on the wind. And another person from the Snowpiercer shows up on the tracks half comatose.

“They’re coming,” the survivor warns Layton. But before he can interpret the meaning, his infant daughter is kidnapped, and her mother is slain by a soldier of the International Peacekeeping Forces.

Now, the residents of New Eden have another choice to make: help Layton rescue his daughter and their friends on the Snowpiercer from the IPF or cut their losses and continue on as they always have.

OFF THE RAILS

AMC’s Snowpiercer has a long lineage. It was first conceived by Jacques Lob and Jean-Marc Rochette for the graphic novel Le Transperceneige in the early 1980s. (More graphic novels followed.) In 2013, South Korean director Bon Joon-ho (who, you might recall, directed a little Oscar-winning movie called Parasite) took that first book and made a movie out of it.

The TV version (formerly produced by TNT) is characterized as a “reboot of the film’s continuity,” and may serve as a prequel of sorts. While the 2013 movie takes place in 2031, AMC’s timeline starts a decade earlier: in 2021, fewer than seven years after the Earth descended into its current deep freeze.

It’s an odd sort of story, though—part family drama, part Hunger Games-like dystopian sociological statement, part apocalyptic horror show. The plot (at least at first) is set up like a whodunit, a post-apocalyptic version of Murder on the Orient Express, if you will. But the tension between the Snowpiercer’s multiple factions is what really powers this train. The show, like its forerunners, has plenty it wants to say about social inequality. And that dual track leaves the story feeling a little unfocused.

But Plugged In’s conclusion is more definitive.

Sure, the premise is fascinating. Parts of the story are compelling. And AMC certainly didn’t scrimp on creating a believable world, both inside and out of the train.

But Snowpiercer is rated TV-MA for basically every reason you can imagine. Violence can be extreme, with blood flying everywhere and sometimes whole limbs getting chopped or even ripped off. Cannibalism becomes a prominent plot point. Viewers might be exposed to nudity, too, and relationships—including those of the same-sex variety—can abound. Sometimes, the plot manages to combine both violence and nudity together: A murder victim’s own privates were, um, removed—which viewers can confirm for themselves in the very first episode.

Steamy sexuality (including polyamorous relationships) seems fairly common. You’d not think that drug use would be a problem, given the very contained environs … but guess what? It is. And language? Well, in the cloudy, gloomy, snow-covered world of Snowpiercer, it’s about the only thing that’s blue.

(Editor’s Note: Plugged In is rarely able to watch every episode of a given series for review. As such, there’s always a chance that you might see a problem that we didn’t. If you notice content that you feel should be included in our review, send us an email at [email protected], or contact us via Facebook or Instagram, and be sure to let us know the episode number, title and season so that we can check it out.)

Episode Reviews

July 20, 2024 – S4, E1: “Snakes in the Garden”

As New Eden prepares for the return of Snowpiercer, someone sabotages the community’s power grid and radio tower. Then, one of their own betrays them, kidnapping Layton’s infant daughter, Liana.

Layton is not married to the mother of his child. But they co-parent peacefully, aided by his new girlfriend. He and his girlfriend kiss passionately in bed in a prelude to sex (we don’t see the act, but it’s implied). Layton removes his shirt just before the camera cuts away. There’s a joke about sex.

A mother fights a soldier in an attempt to get her daughter back. She ignores directions from the soldier’s companion to stand down, and she’s thrown off a cliff (offscreen). We see her bleeding and crippled as she dies.

A soldier hits a resident of New Eden over the head, knocking him unconscious and causing him to bleed heavily. (He survives but won’t wake up.) Armed soldiers seize control of the Snowpiercer, threatening several residents with guns to the head. A woman, injured by these soldiers, is later found in a rail cart just before she passes out. Two men get into a fistfight, and one guy’s hand is cut badly. Later, his hand is stitched and bandaged by a doctor. New Eden residents arm themselves against the threat of the soldiers. Layton promises to kill whoever kidnapped his daughter. A woman gets a nosebleed from the altitude.

People drink in several scenes. One man is accused of being drunk. When he claims to be sober, he’s treated as if he’s crazy, since he talks about hearing voices. However, it turns out he’s correct: He’s actually hearing the voices of intruders echoing in the mountains long before folks in the valley become aware of them.

Although New Eden is doing well under the circumstances, many residents complain it’s not the “paradise” they were promised. Public property is damaged in sabotage attempts.

Three uses of the s-word. We also hear instances of “h—” and the British profanity “bloody.” God’s name is abused three times.

Jan. 24, 2022 – S3, E1: “The Tortoise and the Hare”

Layton and his crew race to find evidence that the world is thawing while Wilford devotes limited resources to hunting them down.

While delivering a message, a child takes a shortcut through a strip club where women are scantily clad and adults drink and smoke. Couples kiss. Several women wear revealing outfits. A woman pulls a cigarette out of her brassiere. We see a woman in a bath from the shoulders up. A man mentions his husband.

A man attacks Layton with a bat, but Layton fights back and overpowers him. A woman hits a man in the head with a wrench. Another woman kicks a trapdoor shut on another woman’s head and threatens to shock several people with a taser. A man falls through the roof of a building (he is OK but nearly runs out of oxygen before being rescued). We see blood on the wall of a nuclear facility. A man has several cuts on his face from a dog attack. Someone wants to “cull” the population to conserve resources.

We learn that Wilford is forcing people to work in freezing conditions to make the train move faster as he hunts for Layton. He decommissions the first-class cars to help conserve energy but refuses to get rid of the cars (even though the action would speed things along) because he still wants to return society to its class system.

When two people are caught taking hot baths, they are subjected to a public “defiling” as punishment for stealing resources. (Passengers throw buckets of feces on them.)

Several people plot mutiny. A black-market trade delivers medicine to workers to keep them alive. We hear uses of the s-word, “h—,” “bloody” and “p-ss.” God’s and Christ’s names are also abused.

Jan. 25, 2021 – S2, E1: “The Time of Two Engines”

Mr. Wilford has hooked his retrofitted supply train, Big Alice, to the tail of Snowpiercer in an effort to regain control. See, if either train stops for long, it’ll quickly freeze in place, with everyone inside freezing, too. Big Alice can act as an anchor: If Wilford doesn’t get his way, he’ll stop Snowpiercer, kill the passengers, take a few spins around the track and re-hook Big Alice to the 994-car train in due time. But Melanie (who wrested control of Snowpiercer from Wilford in the first place) and Layton (who leads Snowpiercer’s population) have ideas of their own.

Snowpiercer residents attack part of Big Alice (which has 40 cars itself). People are stabbed and hacked and shot with crossbow bolts, sometimes accompanied by little sprays of blood. Melanie, working on part of the stopped train from the outside, suffers frostbite when her protective suit rips. (The injury looks pretty gross, and doctors fiddle with the dead, sticky skin with tweezers.) People suffer from sudden cold (we see one man’s arm freeze and wither). A man dies in battle and falls on top of another combatant: We see the dead man’s blood drizzle over her.

A couple of guys jostle Zarah, Layton’s pregnant girlfriend. (And it’s subtly implied that the child’s patrimony is in question.) Ruth, Snowpiercer’s head of hospitality, whisks Layton and Zarah off to a plush luxury apartment on the train, noting that the previous owners committed suicide shortly before. We hear that Melanie’s parents died in the cold. As mentioned, Wilford plans to kill everyone aboard the Snowpiercer in order to get his train back.

Melanie suffers a disinfecting shower. (We see her from the shoulders up.) Train inhabitants trade fruit for a bag of marijuana: A man smokes a blunt—his first, he tells us, in seven years. (There’s also talk of negotiating for other drugs, too.) We learn that the Snowpiercer’s supply of morphine is all gone, but that the train manufactures its own aspirin.

Characters say the s-word seven times. We also hear “a–,” “h—” and the British profanity “bloody,” as well as seven misuses of God’s name. Someone makes an obscene gesture.

July 12, 2020 – S1, E9: “The Train Demanded Blood”

In the first season’s penultimate episode, the revolution nearly ends before it begins. Melanie, who’s revealed as “Mr. Wilford” after lo these many years, is imprisoned and about to be executed. Nolan Grey is set to gas both the rebels and the innocent in the back part of the train. And the rebel leader Layton is given a choice: Give yourself up for execution, and the back end of the train will be saved; or keep fighting, and everyone will die. Layton’s inclined to keep fighting until he learns that a woman named Zarah is carrying his child.

The aftermath of the rebellion’s first push (which we hear killed at least 37 people) is pretty evident. Lots of the survivors are left bloodied, and some of the captured are being executed by the “lung of ice.” We see one suffer such a fate: A mask is strapped to the condemned man’s face and air from the outside is pumped in—freezing his lungs (and part of his face) in the process. A fracas takes place between several combatants, leaving many severely bloodied. (One nearly unconscious man seems to have had his nose broken.) Layton is beaten by vengeful security men. A man threatens (by way of hyperbole) to cut a boy “into little pieces and put you in the composting toilet.” Someone cuts open their hand or wrist—painfully and bloodily—to extract a device of some kind.

A man says he’ll pray for one of the condemned. Someone vomits. A couple kisses passionately as they plot their own train takeover. Characters say the s-word twice, the British profanity “bloody” twice, as well as using the word “h—” and the f-word stand-in “freaking.” God’s name is misused twice (once with the word “d–n”), and Jesus’ name is abused once.

[Spoiler Warning] Seven cars at the center of the train are decoupled from the rest and sent down another track, dooming all of those aboard to an icy death.

May 17, 2020 – S1, E1: “First, the Weather Changed”

The Tail’s plans to take over several cars in Snowpiercer are derailed when one of the community’s leaders, Andre Layton, is called forward. He’s given a grilled cheese sandwich and some tomato soup—treasures he thought were long-distant memories—and learns that Mr. Wilford, the train’s mysterious creator, wants him to find out who murdered one of the passengers. But the revolt, while postponed momentarily, won’t be stopped. Other leaders, assuming that Andre has turned his back on them, argue for an attack.

The suicide of a Tailer becomes the catalyst. An elderly resident of the Tail hangs himself with an electrical cord on his birthday. Tailers attack the security team after it enters to remove the body. The frenetic, close-quarter battle leaves several people dead (one of whom had an arm literally ripped off by a strong Tailer, and whose hand was used to open another car door) and a host of others injured and bleeding. Andre is also viciously beaten when he seems reluctant to take the case.

In flashback, we see how Tailers came to board the train originally (despite not having tickets). They invaded the end of the train in, again, another bloody, vicious battle. People are clubbed and kicked repeatedly. Elsewhere, Andre inspects the corpse of a murder victim: the man’s nude (we see portions of the corpse briefly), and there’s a black spot/hole where his genitals should be.

Andre questions suspects in a section of the train essentially taken over by, in the words of the brakebman escorting Andre, “young people, living and screwing in groups. Bunch of freaks, if you ask me.” One was apparently a former lover of Andre’s, and she kisses her female lover goodbye (and simply says goodbye to her male lover) before being questioned. Back in the Tail, Andre’s current lover is propositioned/threatened by another male resident. The insinuation is that without Andre there to protect her, she needs to find a new lover/protector to keep her and her children safe.

A woman swims naked in what would seem to be an aquarium car. (We see her rear clearly, and most of the rest of her body as well.) Andre is given a shower, where we briefly see a part of his buttocks. A same-sex couple chats with officials in a posh dining car. There’s some banter about a “conjugal” visit. A doctor, who supervises a car wherein convicted criminals are kept in drawers asleep, creepily grooms a female inhabitant before hastily putting her away. (He admits to “taking special care” of a suspected female murderer.) A guest complains that “Europeans” are using the sauna naked and singing boisterous songs.

People utter Christian prayers—and one holds what appears to be a Rosary—before what they assume will be a big battle. Characters drink wine, beer and other alcoholic beverages. We hear at least five uses of the s-word, along with “h—,” “a–” and “d–n.” God’s and Jesus’ names are both abused a couple of times.

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paul-asay
Paul Asay

Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.

Emily Tsiao

Emily studied film and writing when she was in college. And when she isn’t being way too competitive while playing board games, she enjoys food, sleep, and geeking out with her husband indulging in their “nerdoms,” which is the collective fan cultures of everything they love, such as Star Wars, Star Trek, Stargate and Lord of the Rings.

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