Spectre’s conspicuous turn to the past also gives us a new opportunity to notice how Bond has changed over the …
It’s a cinematic construct that relishes taking long, easy moments to just study actress Saoirse Ronan’s serene face, watching her …
A great message, but one that’s ultimately, um, OK, burnt by the crass content baked into this R-rated recipe.
Just when you’re tempted to think you’ve seen it all, some random filmmaker takes that as a dare.
By the time the credits roll, Our Brand Is Crisis feels a lot like a badly run political campaign itself: …
The Last Witch Hunter never quite even makes it to bland.
Bill Murray has the comedically cantankerous genius-in-his-own mind shtick down pat. He unleashes it again in Rock the Kasbah, to …
Four or five stars would be seriously pushing things here. But I guess it’s a flick that’s probably worth at …
This franchise is at least as problematic as its gore-encrusted cousins—perhaps more so—because of the message it so reliably puts …
Its wince-worthy words and images aren’t anywhere near as easily brushed aside as, say, a cinematographic palette of falling leaves …
Room can be crass and crude and incredibly uncomfortable to see. Room is also a thing of beauty—as inspiring a …
Though the context of this movie—which is based on a true story—is football, its lessons apply to so much more …
I’m not as sanguine as the film’s star regarding the appropriate age to see a movie like Goosebumps.
His is a story with a moralistic flare that might have stumbled in lesser hands.
Movies are a lot like people, too. Great ones are not always good ones. Steve Jobs, rated R as it …
