The latest reboot of Stephen King’s frequently remade Firestarter story is a partially cooked mess.
Language, child abuse and demonic undertones definitely undermine whatever cautionary messages viewers might find here.
This horror movie about a cursed text-based game inflicts loads of suffering—on its characters and its viewers.
No matter what new ground this latest iteration of Scream hopes to plow, it’s still stuck in familiar, woefully gratuitous …
In this gruesome sequel, we watch the only scenario in which gun-wielding Texans cannot beat one guy with a chainsaw.
This movie is a mess in pretty much every way you’d like to slice it. (And slice this movie does.)
This sequel to the classic ’80s comedy actioner is exactly what you’d expect—in both good ways and bad.
Style, nostalgia, and cinematic panache can’t hide this pic’s cringe-worthy levels of content.
Antlers symbolically suggests messages about child abuse and environmentalism—all in the context of a very bloody story.
Halloween Kills’ screeching, impaling and exuberant hemorrhaging is exactly what you’d expect it to be.
Candyman isn’t sweet. It was never intended to be. But its excesses are enough to choke on.
A gruesome, eye-gouging, hack-me-with-a-machete smorgasbord.
There’s Someone Inside Your House feels like an updated version of past gorefests. But it’s mired in the same predictable …
