If ‘The Fast and the Furious’ was a Thursday night “Must-See TV” commercial for illegal street racing, ‘2 Fast 2 Furious’ is its Super Bowl equivalent.
If ‘The Fast and the Furious’ was a Thursday night “Must-See TV” commercial for illegal street racing, ‘2 Fast 2 Furious’ is its Super Bowl equivalent.
Loosely based on a 1928 nonfiction book, Martin Scorsese’s tale of 1863 New York is an engrossing and terrible tale of war, hatred, lust and revenge.
David Spade and Jon Lovitz take on the myth and mirth of former child stars in a sophomoric romp that feels something like regressive therapy gone wrong.
There are moments of implausibility that emerge as the list of non-Christians behaving badly lengthens. But God’s Not Dead can always be seen focusing on the simple power of testifying to the Truth.
American Pie. Road Trip. Not Another Teen Movie. Add 40 Days and 40 Nights to the list of Hollywood’s most egregious sex comedies.
Chris Rock presents a case of better than but not best in this (sort of) remake of a 1972 French film.
This movie serves up baseball about as well as a New York diner does grits. Baseball here is merely a tired backdrop for a gaudy summer fling.
“The Flintstones in Viva Rock Vegas” visits Bedrock before prehistoric cartoon couples Fred and Wilma, and Barney and Betty even met.
Wes Craven’s 1977 nightmare continues to haunt theaters as 2006’s remake now earns a sequel. Well, it didn’t exactly earn a sequel. But it got one anyway.
It’s hard to take Joshua Jackson seriously as a leading man, enveloped as he is by his goofy “Dawson’s Creek” character, Pacey…
Grand and colorful pageantry simultaneously evokes 1950s and ’60s Hollywood epics, and 400 B.C. Persia in this stunningly artistic take on the Bible’s Queen Esther.
‘Thirteen’ director Catherine Hardwicke brings history’s most precious narrative to life as Mary and Joseph make their laborious way from Nazareth to Bethlehem.
On one level this Oscar nominee is a formulaic whodunit flick. But never mind the mystery, Director Robert Altman is much more interest in texture than story.