The poignant words of Song of Solomon and Ecclesiastes come to (modern) life through the story of a singer named Jed, the son of David King.
It’s no secret that Woody Allen’s movies brim with neuroses. So it’s no surprise that this one overflows with codependency, self-doubt, monophobia, paranoia, anxiety and sexual dysfunction.
This Sundance smash mixes up family comedy with the kind of heft and heartbreak (and obscenity) independent films have become famous for.
Neither a sequel nor a prequel, this is more like a re-imagining with new faces (Diego Luna and Romola Garai) and a new setting (Havana, Cuba).
In a perfect world, murderers would be caught before they could kill, and the innocent would never live in fear.
Mel Gibson’s brutally violent yet spiritually poignant film has been edited for re-release and retitled ‘The Passion Recut.’
When Theresa (a Chicago Tribune researcher) finds a letter washed ashore in a bottle, she is so smitten with the romantic nature of the author that she tracks him down.
What is it about gushy movies about prostitutes? Are all guys attracted to street-weary “pretty women”? Do women go goo-goo over “GQ” gigolos?
‘The Invisible’ evokes the mood of a quintessentially melancholy rock song: It doesn’t always make sense, and it doesn’t want you to think. But it certainly makes you feel.
There’s a new romantic comedy in town. It’s sweet. It’s light. It’s fluffy. And it even manages to hang on to more than its fair share of morality.
If TV Land is airing classic reruns on cable, somebody’s probably working on a big screen version—especially if it’s a crime series from the 1970s.
