Contributor: Paul Asay

The content here is so extreme, on basically every level we document here at Plugged In.

In Two and a Half Men producer Chuck Lorre’s hands, we can be sure of one thing in this CBS sitcom: The mothers don’t know best.

Through this terrible family, we see what a good family looks like—and why, in fact, it’s so important.

Hulu and FX give us a riveting portrait of Phyllis Schlafly. Whether it reflects the real person or gives voice to the values she represented, is doubtful.

This low-budget sci-fi movie’s popularity on Netflix won’t be augmented by Plugged In’s review of it.

Jump Shot does more than sate a basketball craving. It gives us a picture of a man who seems to deserve the title of hero.

Quibi’s action thriller stars Liam Hemsworth as a man running for his life in more ways than one.

UPDATED REVIEW: Three families. Four fathers. Even more giggles and guffaws. So what does it look like when ABC presents the “new-and-improved” family unit?

In CBS’ alphabet soup of acronym-laden shows, NCIS floats in the very center. So lots of folks seem to be able to stomach it. But has anyone really read the nutrition label?

The show is, in short, far more confused about its path than its young protagonist. And that leaves Home Before Dark stuck in the content twilight.

Quibi’s high-profile drama, divvied up into eight-minute episodes, stuffs a lot of unfortunate content in its relatively short runtime.

Swiss Family Robinson is live-action Disney fare at its classical best.

Elephant is a film that you shouldn’t forget.

The CW’s intentionally trashy Dynasty reboot is so aggressively dumb it makes the original feel like a genteel Jane Austin story.

We’re obviously talking about a cult here, and this one seems pretty messed up even by cult standards.