Contributor: Paul Asay

Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.

A young man with a bruise on his face looks out a truck window.

The Devil All the Time

Some movies entertain. Some movies educate. But this movie punishes the viewer.

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The Plugged In Show, Episode 42: The Coronavirus’s Legacy for Families’ Entertainment and Technology Habits

Back in March, many of us hoped that the coronavirus would be a blip on our personal landscapes. We assumed that with a few weeks of high-intensity safeguards, the COVID-19 virus would slink away, like a vampire at sunrise. Alas, the virus has not been …

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Away

This Netflix drama about going to Mars majors in relational complexities—and orbits some surprising content concerns, too.

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The Plugged In Show, Episode 41: Entertainment’s Sexualization of Young Girls

Just from the name, Netflix’s Cuties would sound like it’d be … cute, right? Cute is what we call babies. Puppies. Maybe the occasional small orange. But Cuties, a French coming-of-age film about an 11-year-old girl who joins a preteen dance troupe, st …

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Trinkets

Trinkets is nothing remarkable—not in this age of bad-behaving, telegenic teens.

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A bunch of muppets in a care with two people.

The Muppets

Kermit, Fozzie and Miss Piggy are back, and they’re just as colorful as ever—in more ways than you might immediately think.

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Irresistible

This movie is less interested in blue-state and red-state ideology than its suggestion that, in some ways, we’ve all been taken in.

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Bill and Ted Face the New Mutants

Sure, the movie biz isn’t quite as lively as it used to be. But as movie theaters slowly pry their doors back open, the cinematic box office is showing signs of a pulse. The New Mutants, a kinda-sorta X-Men flick that feels, frankly, more like a horror …

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Black Panther

Black Panther has a good heart, and it gives us a real hero—strong and honorable and, when possible, even filled with grace.

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The New Mutants

This is, primarily, a horror movie—with a little bit of John Hughes’ Breakfast Club thrown in for good measure.

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A smiling man walks in the street in Victorian England.

The Personal History of David Copperfield

While David himself may not always be a “good” person, this movie almost always is a “good” movie.

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Hoops

Hoosiers? Nope. This foul, buzzer-bleeping animated series about high school basketball might better be called Loosiers.

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The King of Staten Island

The King of Staten Island is funny and authentic and painful and problematic and offensive.

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Three startled African-Americans in a forest.

Lovecraft Country

As you might expect from the titular reference to a horror master, Lovecraft Country is brimming with monsters.

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Agents of S.H.I.E.L.D.

Agents of S.H.I.E.L.D. makes an effort to try to do the right things, and that’s important. But just like the agency, the TV show has been infiltrated.

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