Contributor: Paul Asay

Quibi’s high-profile drama, divvied up into eight-minute episodes, stuffs a lot of unfortunate content in its relatively short runtime.

Swiss Family Robinson is live-action Disney fare at its classical best.

Elephant is a film that you shouldn’t forget.

The CW’s intentionally trashy Dynasty reboot is so aggressively dumb it makes the original feel like a genteel Jane Austin story.

We’re obviously talking about a cult here, and this one seems pretty messed up even by cult standards.

For fans of this franchise, The Rise of Skywalker works: not necessarily logically, but emotionally.

Even many adults should approach this film with care. And yet, it’s a story worth telling, too.

Oscar-winner Octavia Spencer anchors Netflix’s newest miniseries. But the real story of Sarah Walker is sometimes lost in the show’s problematic content.

World War I is perhaps unequaled in its horrific brutality. 1917 takes us into that horror and doesn’t let us out of it for two hours.

This grim, unsettling look at an alternate-reality America will feel unnerving to some and infuriating to others.

Patrick’s story is inherently interesting, and for a history/religion wonk like me, pretty engaging.

No act of faith is wasted in God’s creative calculus. And sometimes, even hidden lives, hidden sacrifices, are eventually revealed.

Eastwood’s latest suggests that judging someone based on appearances and assumptions can lead to injustice and tragedy.

Wendy is an imaginative and, I think, moving rumination on youth and age, dreams and grief.

This rebooted ’80s Spielberg anthology is predicated on the mystical, implausable and the impossible.