Contributor: Paul Asay

With Young Sheldon, producer Chuck Lorre seems to be growing up. But like his youthful protagonist, he still has a ways to go.

CBS rolls out another anagram-friendly crime procedural, this one starring Chris O’Donnell. What’s different about this show from the original NCIS? The location. The actors. And, um, that’s about it.

It can be tricky to find something “good” on TV. As a TV reviewer, I know that all too well. Oh, we can find plenty of riveting, binge-bait shows on Netflix and Amazon and HBO, of course. Viewing television through a secular lens, you could argue that …

This movie’s magical logic is not just anti-Christian. It’s not just un-scientific. It’s positively insulting.

Walk into this Superstore, and you may walk out with something you neither wanted nor needed.

The Truth Seekers is out there—waaay out there. And while you can certainly seek out better, cleaner shows, truth is you could do worse.

It’s not just the doctor who’s good. The show’s pretty OK, too.

The catchy children’s ditty/diabolical earwig has do-do-do-do-doo’ed itself all the way to the top of YouTube as its No. 1 video of all time.

Fatima is a well-crafted, very Catholic and (in its own reverent way) quite provocative piece of filmmaking.

Antebellum is a disordered, dispiriting and sadistic story that assaults your senses more than it pricks your conscience.

In a much-hailed performance, Meryl Streep becomes Margaret Thatcher, giving us a nuanced look at one of Great Britain’s most loved and loathed prime ministers.

Tension-filled questions make His House a remarkable, and truly haunting, ghost story—one that winds up in a strangely affirming place.

Few cities surpass the political theater of America’s so-called Second City.

The Conners, like Roseanne, would’ve never gotten a green light back in TV’s Golden Age.

There’s good and bad in this ABC sitcom, but it’s not always black and white.