Contributor: Paul Asay

Disney revives another archived franchise—welcome back, Emilio Estevez!—featuring new underdog athletes.

Resurrection packs a visual and narrative punch that few Easter Sunday readings can match.

An inescapably trashy movie, with no greater goal than to shock and titillate and further define the word salacious.

LISTEN TO THE PLUGGED IN SHOW, EPISODE 70 Disney’s latest might be titled Raya and the Last Dragon, but that dragon surely won’t be the last we see at the movies. Screens are positively teeming with dragons, fairies, and other creatures pulled from myt …

While it does sidestep some issues, it amplifies others. And those latter parts make this an easy call for us to make.

Sometimes, it’s cool to see the life of Jesus through someone else’s eyes. And when we watch a movie about Him, that’s exactly what we do.

News of the World speaks to the difficulties of relationship, of crossing cultural boundaries to truly meet people and earn their trust.

This movie’s title is telling: The bad guys are savage. The good guys are savage. But the most brutal, horrific, savage thing of all is the movie itself.

Come right in, sit yourself down and prepare for the official unveiling of the Plugged In Movie Awards.

Heavy lies the crown, even when it rests on the Queen of Soul’s brow.

The Falcon and the Winter Soldier is less magical than WandaVision, but more violent and vulgar.

It’s bloodier. More profane. Its quasi-spirituality can be perplexing. And then there’s this: It’s just a darker movie.

This YouTube series takes its name from the first two letters of the Greek alphabet. But the content earns this show an F.

You can tell powerful stories without shellacking them in problematic content. And some of this year’s Best Picture nominees prove it.

Can’t say that New Amsterdam is harmless. But it wants to heal, too.