Contributor: Paul Asay

While Big Shot hits a few three-pointers, it tosses up plenty of bricks, too.

Back in the day on TV, good was good, evil was evil, and never the twain would meet. But now, of course, they meet all the time.

It has some nice messages about purpose and family. It’s also got a few problems, so be sure to check out our review before you check out the show.

Sheila hates everyone, most especially herself. Perhaps it’s fitting that the show, Physical, is so easy to dislike.

We can’t promise that we’ll engage in a battle royale over scarce resources, but we can guarantee a lively conversation.

I’ve been wondering whether you might eventually go too far. And it seems that, with your rumored retrofit of The Powerpuff Girls, you have.

I was surprised by the redemptive messages I found—along with a bunch of severed demon heads.

Infinite feels like it’s found a fitting niche: To be seen by a few, unseen by most and quickly forgotten by all.

Let’s look at some of cinema’s most powerful, provocative and prickly movies about dads (because we fathers don’t always know, or do, best).

Lucifer’s not such a bad guy. Or at least that’s what Netflix would like you to believe.

Stephen King’s favorite book hits Apple TV+, and it comes with all the problems you’d expect.

This podcast episode is a little more personal than most. This time, we take a deep dive in what books, movies, television shows and songs helped shape us.

Netflix’s latest anime entry features a world full of robots (and one human) digitally pondering existential questions.

Being bad has rarely looked so good. Therein lies this Disney reboot’s charm … and its problems.

It’s a little like a lighter version of Sex in the City. But lighter doesn’t necessarily mean better.