Contributor: Paul Asay

‘Spider-Noir’ has gotten plenty of accolades for its style. But its mature content limits who will be able to see it.

In ‘Iron Lung,’ a guy pilots a tiny submarine through an ocean of blood. And that, my friends, should be all you need to know.

Everything that makes ‘Backrooms’ terrifying could come in a PG-13 package. Alas, it doesn’t.

‘The Mandalorian and Grogu’ dominated the box office, no doubt, but it didn’t earn quite as much as it could have.

‘Fuze’ is a fat-free crime caper with everything you’d expect from the genre: ruses and counter-ruses, lies heaped upon more lies and a whole bunch of swearing.

‘The Mandalorian and Grogu’ feels like an old Ray Harryhausen creature feature. ‘Course, all those beasties come with teeth, and the movie does, too.

‘Maximum Pleasure Guaranteed’ is a witty, sleazy and extraordinarily dark comedy predicated on sex, murder and human greed.

Good Omens is thought by many to be a good show. But spiritually, this Prime Video series seems like it needs to be carted away in its own handbasket.

‘The Old Stories: Moses’ looks and feels like a strong, biblically based story in an era full of them—one that stands out for both its casting and technological creativity.

Lee Cronin’s The Mummy is a dark, dark movie—physically and morally. This story should itself be wrapped up and buried.

In an unsettled week at the box office, the musical biopic ‘Michael’ returned to take the box office crown.

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Netflix teams up with director Greta Gerwig to bring Narnia to audiences in new and potentially problematic ways.

Disney+’s ‘The Punisher: One Last Kill’ is as unforgiving as its hero. Indeed, it’s the bloodiest, most graphic MCU product we’ve seen.

This contemporary version of ‘Hamlet’ is a strong film. But alas, poor reader, we know this R-rated content well.