Contributor: Paul Asay

Before the credits roll, Acrimony boards an express train to Crazyville.

Isle of Dogs has some nice messages and a worthy moral. But it also can be sad and kinda disturbing and even tickles tragedy at times.

Let me just say this to aspiring faith-oriented moviemakers: This is how it’s done.

This is your standard, plastic, pink flamingo of a movie—colorful and cute and maybe even fun, but kinda tacky, too.

The more you like a flick, the more it’ll potentially influence you. And Love, Simon aims to influence.

7 Days in Entebbe is a fascinating and, to my eyes, fair dramatization of that agonizingly long week.

A Wrinkle in Time is no masterpiece. But it still has a wrinkle or two of its own that families can unpack and discuss.

This horror flick is exactly what you think it is: would-be killers chasing around would-be victims with sharp things.

Death Wish suggests that society’s most troubling issues can best be addressed by the blazing barrel of a vigilante’s gun.

There’s a lot going on in Annihilation—a tense, freaky, bloody sci-fi rumination on the cyclical nature of life, death and rebirth.

This movie tells us that Samson was “a man whose heart was as vast as his strength.” It seems to take its cues from Braveheart.

For all of its restraint in some areas, this movie’s twisted spirituality is as bothersome as its spirits.

The Death Cure serves as a dissatisfying ending to an only passably serviceable franchise.

12 Strong is a previously classified true story populated by heroes.

Both aesthetically and morally, this film is a minor disaster.