Contributor: Paul Asay

You might want to think twice before you and your family wolf this one down.

Mile 22 is dumb, frenetic and oh-so bloody—a feature-length romp through a hurricane of fists and feet and death.

Slender Man is just a bad movie, and bad in every possible way.

This film wasn’t made just for kids. It was made for us—the adults who fret about our own Very Important Things.

While we can’t turn a blind eye to Blindspotting’s excesses, neither can we turn away from its multilayered message.

The movie’s well-meaning messages are undercut, sometimes literally, at every turn.

I kinda hope this movie itself is purged from theaters, and quickly.

Leave No Trace tells a powerful and poignant story—one that’s simultaneously unique and universal, tragic and hopeful.

Pixar once again encourages us to think as we laugh and marvel and cringe and smile.

While the characters have more meat to them than you might expect, their own flesh is all-too-frequently pierced

Mister Rogers is gone now. But his legacy lives on.

Action Point isn’t much of a movie, no matter how you slice its vomit-soaked layers.

Religion, First Reformed suggests, is easy. It’s faith that’s hard.

Deadpool 2, like its predecessor, doesn’t just wallow in the depths of human depravity: It absolutely frolicks there.

Breaking In is one of the most frenetic, violent salutes to a mother’s love that you’ll likely ever see.