Contributor: Paul Asay

Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.

The Legend of Korra

UPDATED REVIEW: The underworld hasn’t been blown off the Avatar map as if by an airbender. It’s just been transplanted into a more steampunk scenario.

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$#*! My Dad Says

CBS is desperate to attract younger viewers, and it’s not above launching programming based on a profane Twitter feed to do so. The result? A formulaic sitcom starring a nearly 80-year-old actor.

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Project Blue Book

The truth is out there. But you won’t find it here.

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The Man in the High Castle

The novel earned Phillip K. Dick a Hugo Award, But it transports readers into a grim land. The same can now be said for Amazon’s TV adaptation.

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Luke Cage

While Luke Cage is in some respects the most admirable of Netflix’s superheroes, his show is still problematic.

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How to Get Away With Murder

Will TV viewers really learn How to Get Away With Murder? Probably not. But there’s no question Viola Davis’ series on ABC gets away with nearly everything else.

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The Marriage Ref

What happens when Jerry Seinfeld rounds up celebrities to help married couples struggling through matrimonial crises? OK, let’s ask that question another way: Do you really want marriage advice from Alec Baldwin, Tina Fey or Madonna?

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Secret Millionaire

We talk a lot about how there’s nothing good on television anymore. But not today. Not when it comes to Secret Millionaire.

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Whiskey Cavalier

ABC’s spy spoof is vacuous, escapist fare … that’s still plenty violent.

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Degrassi: The Next Generation

Degrassi, in its various incarnations, has been around far longer than any of its tween and teen fans. And so have the very “adult” subjects it routinely explores—and exploits.

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Mad Men

Thin ties and thick smoke. Strong martinis and weak hearts. It’s a mad, mad, mad, mad world where men are men and women are secretaries.

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Superior Donuts

Like Cheers, only with more calories and fewer laughs.

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Glory Daze

If a fraternity brother is so drunk that he falls down in an empty quad, does he make a sound?

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Monk

USA’s Monk has stuck around a whole lot longer than most folks thought it would. Can part of its success be credited to its relative restraint amidst unrestrained cable cohorts?

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Sense8

It can be hard to figure out your own brain without a lot of other folks trying to shove their way into it. It’s a recurring problem in Netflix’s Sense8.

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