Want to eat fetid food and get a good case of moral poisoning in the process? Then by all means swing over and pay a visit to Shenanigan’s restaurant.
50 Cent jumps from big beats to the big screen in this quasi-autobiographical rapper’s dream.
In a politically motivated secular alternative to the Nativity story, Clive Owen makes his way through a war-torn world in 2027 to protect humanity’s savior.
Stand-up comedienne Mo’Nique lets loose on America’s weight issues but forgets to trim back her crude act.
‘Saw’ and ‘Saw II’ set the stage for another little-known director to turn another plotless, pointless story into a plotless, pointless movie that does nothing but celebrate crazed violence.
Emma Thompson anticipated that her film would garner a plethora of ‘Mary Poppins’ comparisons when she penned the script for ‘Nanny McPhee.’ And indeed it is.
Mickey must really love Shaggy. This hairy Disney remake of the company’s own 1959 original comes a decade or so after the Disney Channel aired a made-for-TV rendition.
Clint Eastwood and Steven Spielberg write another chapter in cinema’s examination of the Second Great War. The result is emotional, visceral and devastating.
On the heels of MTV Films’ exposé of high school football in rural Texas (“Friday Night Lights”) comes its commentary on high school basketball in urban California.
Nick Cannon regurgitates 20 cop clichés per minute in this unfunny, underwhelming action/comedy wannabe.
After a five-year run of small-screen success on Nickelodeon, SpongeBob makes his way from the bottom of the sea to the middle of the big screen … to DVD.
