Contributor: Adam R. Holz

Though trailers for this film have tried to amp it up as a horror movie, The Snowman isn’t that. Instead, it’s a brutal, bloody whodunit.

Taylor Swift continues to drift toward the kind of airy, hedonistic vapidity that her younger self would have rejected.

This movie has as many content concerns as it has difficult-to-believe plot points.

Can a single person make a big difference? What happens when someone is sacrificially obedient to the call of God on his or her life?

At the end of a what is otherwise a rote PG-13 thriller/horror film, viewers are left with some significant spiritual themes to ponder.

On Younger Now, Miley reflects on mistakes and embraces positive possibilities. But she also reflects on other embraces that aren’t so positive.

If you’re already cynical about alleged government deception and corruption, American Made won’t help matters much.

This film’s take on Christianity might be the most scathing, contempt-filled attack upon it that I’ve ever witnessed onscreen.

The Foo Fighters’ ninth effort tries to split the difference between hope and despair … with only partial success.

This chart-topping hit from rapper Post Malone either embraces hedonism or satirically critiques it—but it’s not clear which.

Brad’s life shows us the danger of letting our insecurities dictate our emotional state.

Success hasn’t made Sam Smith less melancholy. But it has given him a bigger platform for his progressive perspective.

Camila Cabello’s latest hit reminisces about Cuba and kindles a forbidden relationship with a “malo” man.

Kelly Clarkson’s latest single flirts with suggestive naughtiness … but goes deeper than that, too.

U2 returns with a melancholy song that’s not as sunny as its title might suggest.