I Love Boosters
‘I Love Boosters’ doesn’t lack creativity. But this crime/comedy/fantasy surrealist satire falls short in decency and coherence.
Passenger
‘Passenger’ feels like a series of online horror shorts all tied together with a gossamer narrative thread.
Citizen Kane
‘Citizen Kane’ launched Orson Welles’ career and brilliantly reshaped moviemaking. You know, little stuff like that.
Enola Holmes 3
Netflix’s ‘Enola Holmes 3’ brings another fun mystery to the series, but we see several violent fight scenes and a few sensual moments between an engaged couple.
Tuner
In ‘Tuner,’ a guy with supersensitive hearing uses his unique skillset to crack safes. Too bad the film’s foul language will ring in most viewer’s ears.
ChaO
‘ChaO’ is a creative, colorful anime with sweet messages about love and acceptance. But some content barnacles cling to its hull.
Little Brother
The nice messages in Netflix’s ‘Little Brother’ are completely overshadowed by the film’s raunchy comedy, foul language and more.
BLEACH: Thousand-Year Blood War – The Calamity
Like many anime series that have released episodes in theaters, “BLEACH: Thousand-Year Blood War – The Calamity” contains plenty of content concerns.
Voicemails for Isabelle
Netflix’s ‘Voicemails for Isabelle’ is often sweet, sometimes funny and, all too often, problematic as well.
In the Hand of Dante
Netflix’s ‘In the Hand of Dante’ feels like a pretentious, smirkingly shocking, absolutely vacuous puddle of goo.