It Ends
‘It Ends’ is the quintessential road movie—in that our characters can seemingly never, ever leave that road. And you thought that your family road trips felt long.
The Dog Stars
In ‘The Dog Stars” post-apocalyptic world, lessons are learned and people are butchered. But not necessarily in that order.
Motor City
‘Motor City’ motors through a revenge drama but replaces dialogue with a needle-drop sound design. It’s both creative and violently grisly.
Mutiny
Jason Statham’s ‘Mutiny’ features violence, violence and, hey, a little more violence. Also, there’s a plot.
Spa Weekend
‘Spa Weekend’ is less like a mud bath at a luxury spa and more like a messy wallow in a problematic pigsty.
Insidious: Out of the Further
The ‘Insidious’ franchise marches on with more dark, intensely creepy moments to share. Which proves that ‘sharing’ isn’t always a good thing.
The Rivals of Amziah King
‘The Rivals of Amziah King’ has some bluegrass-fueled, honey-sweet moments, but it comes with sharp-edged stings, too.
The End of Oak Street
‘The End of Oak Street’ is a strange, silly and entertaining romp that suffers from the piles of problems it drops in its cinematic backyard.
Elijah Peel
‘Elijah Peel’ tells a redemptive tale with a Gospel-centered message despite a few discordant notes in the content department.
Jacka–: Best and Last
‘Jacka–: Best and Last’ comes with all the perverse spectacle you’d expect from Johnny Knoxville’s shock-cringe comedy-stunt creation.