The promise of this witty, PG-rated period piece is briefly undermined by some surprising content.
Valley Girl—a remake of Nicholas Cage’s much raunchier, R-rated 1983 version—still has its fair share of PG-13-level concerns.
The Turning offers a collection of dirty-mirror jump scenes in search of a point. Or a message. Or a story.
When Jesus was at His weakest point, His most vulnerable state, He was tested and tempted by Satan.
Underwater skips exposition altogether and leaps with videogame-like glee into its deadly, high-pressure destruction.
This film feels anything but appropriate for families of young kids—the very audience you’d assume it’s made for.
Wendy is an imaginative and, I think, moving rumination on youth and age, dreams and grief.
This reboot’s empowering messages are ultimately undermined by its content concerns.
The Banker offers respect for capitalism, a social conscience and a sense of fun—not a combination you find often.
While this film is factual, well-made and eye-opening, it isn’t necessarily … enjoyable.
Frozen II is not a slam-dunk, take-the-whole-fam movie for everyone.
Knives Out layers on a bit more content than your typical Agatha Christie story.
Midway is a deeply inspiring movie. It’s also a war movie, though, with all of the content that comes with …
There’s a beauty that shines through this dramedy’s inherent darkness and dysfunction.
Though this TV-14 flick is cleaner than some of its competitors, that doesn’t mean you won’t need to do some …