Call Me by Your Name celebrates the lie of a culture that’s determined to crown every individual the king or …
Novitiate, like many of its characters, walks away from this curious form of faith a bit bewildered, a bit disgusted.
British writer/director Martin McDonagh paints a discordant picture here of an awful, provincialized middle America.
This movie felt like a tragedy to me: a tiny family slowly drowning—incapable of swimming, unwilling to grab lifelines dangling …
This coming-of-age film drills down into the intimate micro-contradictions of life even as it explodes onscreen with many visually problematic …
Last Flag Flying is a powerful, emotive film. That said, it’s also an extremely profane one.
A Bad Moms Christmas is at times sweet, often silly, but almost constantly salacious.
Adam, Solo and Will are more than just statistics. Through story, we see their faces. Feel, in some small way, …
This reboot offers another excuse for its makers to mangle human flesh in order to reap box office rewards.
The ’50s costumes and scenery look authentic. But then the whole shebang nosedives into something luridly witless, foul and bloody.
This film is like a cake made entirely of food coloring. It’s bad, plain and simple.
Though trailers for this film have tried to amp it up as a horror movie, The Snowman isn’t that. Instead, …
Comic book glances are only used to undergird the real focus here: the contorted sexual relationship and societal struggles of …
The Foreigner is a dark, grim actioner, filled with blood and bad words a-plenty. Rush Hour? Try crushed and dour.
Both Blade Runner films lead us into an unseemly, seedy milieu in which humanity’s worst impulses have been augmented and …