Valley Girl—a remake of Nicholas Cage’s much raunchier, R-rated 1983 version—still has its fair share of PG-13-level concerns.
The Half of It comes packing the two-punch combo of same-sex attraction and subtle elbows thrown at people of faith.
Filled with creepy occultism, Gretel & Hansel is made of gingerbread: Alluring to look at, but structurally and morally hollow.
Despite this film’s PG-13 rating, families may well choose to draw a line with Vin Diesel’s latest bloody actioner.
The Turning offers a collection of dirty-mirror jump scenes in search of a point. Or a message. Or a story.
Underwater skips exposition altogether and leaps with videogame-like glee into its deadly, high-pressure destruction.
This is an agonizing tale of a pregnant young woman who never really seems to recognize any other choice but …
Is The Current War electrifying? No, not quite. But it’s got some nice star power.
For fans of this franchise, The Rise of Skywalker works: not necessarily logically, but emotionally.
Stephen King did the deadly virus-meets-the-supernatural thing with The Stand. Steven Soderbergh matches it up with something even scarier: cold, …
This film feels anything but appropriate for families of young kids—the very audience you’d assume it’s made for.
No act of faith is wasted in God’s creative calculus. And sometimes, even hidden lives, hidden sacrifices, are eventually revealed.
If you resort to violence to end violence, are you really accomplishing anything?
Wendy is an imaginative and, I think, moving rumination on youth and age, dreams and grief.
This reboot’s empowering messages are ultimately undermined by its content concerns.
