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Movie Monday: ‘Thunderbolts*’ Lands Another Box-Office Punch

New name, same old results.

Last Monday, Thunderbolts* kinda-sorta changed its name to The New Avengers thus explaining the original name’s asterisk and generating a whole new swathe of publicity in one fell swoop.

But at Plugged In, we’re sticking with Thunderbolts*. So it’s only fitting that the movie’s performance also looks awfully familiar.

Thunderbolts* once again won the weekend’s box-office crown. It earned an estimated $33.1 million in North America, which nudged its overall domestic take to $128.5 million. It’s done even better overseas, generating $143.7 million during its run. That means the superhero movie’s worldwide take stands at nearly $272.2 million. That’s not nearly as much as the old Avengers movies typically raked in, but no one at Disney/Marvel is likely complaining.

Sinners continued its remarkable run, finishing in second place. The Ryan Coogler-directed horror film sucked in another $21.1 million stateside, bringing its domestic tally to $214.4 million. It passed Captain America: Brave New World this weekend to become the year’s second highest-grossing film.

What’s the year’s highest-grossing film, you ask? Why, that’d be A Minecraft Movie, which nailed down another third-place finish. It dug up $8 million this weekend, padding its overall domestic total to $409 million. Add the $500.6 million it has made in international markets during its five-week run, and Minecraft has stacked a staggering $909.6 million. Who needs blocks when you can build a mighty fine tower with dollar bills?

The Accountant 2 held down fourth place, adding another $6.1 million to its ledgers. The R-rated actioner has earned $50.9 million.

In fifth place, we find the weekend’s first newcomer: Clown in a Cornfield earned dubious bragging rights in a disappointing batch of mostly R-rated newbies, scaring up nearly $3.7 million. Two other new films—Shadow Force and Fight or Flight—appear to be in a pitched battle for sixth place. Shadow Force has the lead, according to Box Office Mojo’s early estimates. But both barely cleared $2 million, so we’ll see how it shakes out when numbers are finalized early this week.

Juliet & Romeo dost struggled mightily in its opening frame. The latest updated take on Shakespeare’s famous play earned just $100,000, despite playing on 1,350 screens. To paraphrase the Bard … truly, never was a story of more woe than this of Juliet & Romeo.

paul-asay
Paul Asay

Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.