Once the blood starts to fly, this Russian horror film drowns in its own vat of hemoglobin.
The central premise here is so ghastly that we should be revolted, not entertained.
This grim horror/mystery/comedy is far more about smothering life, in one way or another, than living it.
It’s scary and sad and sometimes awful. But Relic also offers a note of hope in that horror.
For this horror film’s potential viewers, I will simply say You Should … Reconsider.
If you poke in its corners and gaze at its accoutrements, you may find that only blackness sits at its …
Whatever point The Hunt may want to make, or whatever value it might hope to have, is pretty much obliterated …
Whannel has crafted a film that plays out more as cruel reality than science fiction.
This horror pic becomes less and less credible—not to mention and less and less watchable—by the second.
Don’t go to Fantasy Island, my friends. Many who do so here regretted it, and it’s unlikely you’ll be the …
Filled with creepy occultism, Gretel & Hansel is made of gingerbread: Alluring to look at, but structurally and morally hollow.
The Turning offers a collection of dirty-mirror jump scenes in search of a point. Or a message. Or a story.
Underwater skips exposition altogether and leaps with videogame-like glee into its deadly, high-pressure destruction.
If you resort to violence to end violence, are you really accomplishing anything?