Dark Web delivers a deeply creepy cautionary warning—albeit in the trappings of a relatively restrained R-rated horror movie.
Skyscraper is a CGI-infused hodgepodge of derivative bits culled from more memorable disaster thrillers.
Don’t Worry, He Won’t Get Far on Foot is filled with pain and anguish, contrasted with bright moments of hope.
All the awkwardness of early adolescence is here. Yet, it left me wondering why so much of it had to …
The one real, uh, wasp in the ointment in Disney/Marvel’s latest effort is this pic’s rough language quotient.
I kinda hope this movie itself is purged from theaters, and quickly.
Leave No Trace tells a powerful and poignant story—one that’s simultaneously unique and universal, tragic and hopeful.
Day of the Soldado is propelled by jarring, violently graphic imagery that seems designed solely to shock.
It’s easy to wonder if this long-toothed, munch-a-man moviemaking template has been dug up too many times.
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While the characters have more meat to them than you might expect, their own flesh is all-too-frequently pierced
Ocean’s Eight gathers the usual shady content suspects—such as foul lingo, illicit larceny, boozy tippling and light sensuality.
Adrift is one of those films that sails through some pretty major cinematic crosswinds.
Whatever strengths the movie has, it doesn’t mitigate the content it wallows in to get there.