Infinite feels like it’s found a fitting niche: To be seen by a few, unseen by most and quickly forgotten …
The exceedingly profane language and percussive pummeling batters you as roughly as the hero pounds Russian street thugs.
The Lovebirds is like The Amazing Race—but with dead people.
This doggie flick has some sweet lessons to offer on bravery, acceptance and stepping out of one’s comfort zone.
Endangered Species is about a family running from both the animals and the people who want to kill them.
Blue Miracle tells a heartwarming true story about what it means to be a father.
This film feels more brutal, and sounds more profane, than you would expect for a movie intended, essentially, for kids.
Jason Statham’s Wrath of Man might be about family—or, at least, about avenging them—but it’s certainly not for family.
Is this movie terrifying? Not really. Obscenely grotesque? Oh, yeah.
The Water Man is a deftly handled pic that trumpets love and understanding, even in the face of onrushing grief.
This film hooks into themes of a dangerous man grievously wronged and looking for some terminal retribution.
Though Voyagers is free of really explicit content, it’s still chockful of PG-13 levels of violence and suggestive scenes.
The Mitchells vs. the Machines is fun, sweet and smart. It strays just a bit—but for some, that’ll be enough …
The Marksman makes for a rather depressing and cheerless trip to the movies.
If the screenwriters had throttled back, if they’d kept what you hear as clean as what you see, this Netflix …