For 98% of this movie, Ben Affleck’s character is a heartless, selfish monster. The fact that he’s slightly less monstrous …
“I have seen so much killing, so much war. I cannot bear more.” So says the heroine Selene near the …
A boy’s journey through grief uncovers some surprising truths by the time the credits roll.
Paterson is enjoyable without being entertaining. It’s a shyly thoughtful story that asks its viewers to stretch themselves and dream …
Even though its dialogue can be harsh and its protagonist can be a monster, Fences has some important things to …
Why Him? This zany, raunchy movie asks. When I left the movie, it had me asking another question: Why me?
Even in a place and time when brutal forces mercilessly sought to silence the faithful, their voices could still be …
If Passengers teaches us anything, it’s only as an afterthought. The film is an entertainment vehicle. And like the spaceship …
Between its tortured logic and its fatalistic view of religion, Assassin’s Creed does little more than kill off a couple …
Rogue One is theoretically a different kind of Star Wars movie. Except that it’s not.
The whole production feels like a mildly melodramatic stage play that isn’t afraid to take its time and to wax …
Nocturnal Animals is a devastating movie about sin and retribution. It’s as searing as a thunderbolt, as poisonous as the …
Office Christmas Party is, quite simply, yet another entry in a long line of sleaze-in-your-stocking holiday forgettables.
Director Damien Chazelle unleashes an old-school, tour de force musical, proving that original, Oscar-worthy moviemaking—without R-rated gratuity—is actually still possible …
Jackie is a moving, surprisingly spiritual portrait of a woman grieving in the public eye and, in so doing, shaping …
