This breakneck cinematic blender is set to “liquefy,” the top is off, and you’re the main ingredient.
While we can’t turn a blind eye to Blindspotting’s excesses, neither can we turn away from its multilayered message.
The moral potholes in this sequel once again present this musical’s most off-key moments.
The movie’s well-meaning messages are undercut, sometimes literally, at every turn.
Dark Web delivers a deeply creepy cautionary warning—albeit in the trappings of a relatively restrained R-rated horror movie.
Don’t Worry, He Won’t Get Far on Foot is filled with pain and anguish, contrasted with bright moments of hope.
Skyscraper is a CGI-infused hodgepodge of derivative bits culled from more memorable disaster thrillers.
All the awkwardness of early adolescence is here. Yet, it left me wondering why so much of it had to …
The one real, uh, wasp in the ointment in Disney/Marvel’s latest effort is this pic’s rough language quotient.
I kinda hope this movie itself is purged from theaters, and quickly.
Day of the Soldado is propelled by jarring, violently graphic imagery that seems designed solely to shock.
Is Uncle Drew’s water bottle half full or half empty? I think the best answer is yes.
It’s easy to wonder if this long-toothed, munch-a-man moviemaking template has been dug up too many times.
